Okay ladies and gentlemen, here is the first 10 entries in my top 20 of the year! Hope you enjoy!
20. Rob Zombie-Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool
When I was in sixth grade I used to listen to the tracks “Meet the Creeper”, “Dragula” and “Superbeast” several times a day. Then in high school I bought the first Hellbilly Deluxe at one of FYE’s several “Buy 3 get 1 free!” sales and surprisingly enjoyed it beyond a nostalgia level. A few weeks ago, after listening to Rick Ross’s Teflon Don, iTunes automatically put on what was next in the playlist, Rob Zombie’s Hellbilly Deluxe 2. I had every intent to change it, but as soon as it started I felt like that sixth grader walking home from elementary school with my Walkman on full blast. Without as much of an “ehhh” I made it through the entire album and enjoyed myself. While HB2 is not a piece of timeless art, it’s fun, and it’s retro (weird thinking that sounding like a ’98 album is retro) and it never really takes itself too seriously. Not to mention psychobilly prodigy John 5 brings his country flavor to the music, adding a quirky new dimension. For those that publicly or privately enjoy the Zombie in all of his glory, Hellbilly Deluxe 2 is an album for you. If you don’t enjoy the Zombie…then get out of here!
Notable Tracks: “Jesus Frankenstein” “The Man Who Laughs”
19. Devo- Something for Everybody
Aging geeks. That is exactly what Devo are. And on Something for Everybody they make it abundantly clear. While many bands try to retain their heavy credibility into old age (see KISS) or try to turn their music to prove that they have become wise in their years (see Johnny Cash) Devo are the same guys, just 20 years older than the last time we heard something new from them. This album sounds as if they wrote it in the 80’s and re-mastered it now, tweaking some lyrics to be more relevant to today’s audience. The Mothersbaugh’s, the Castle’s and drum god Josh Freese are really in tune to what made Devo great in the day, and allowing fans to pick what songs were on the album certainly made it Something for Everybody. Not the bands best work (I mean, they peaked in the 70’s) but a fun album that knows just how corny it is. If there was only a young band like Devo today.
Notable Tracks: “Don’t Shoot (I’m a Man)” "Please Baby Please" "Step Up"
18. Mark Ronson & The Business Intl.- Record Collection
Record Collection is an album that has me scratching my head every time I listen to it, thinking “Is this really all that good?” I think the fact that it has me so intrigued listen after listen means that Mark and the crew are doing something right. The first two tracks wham off collaborations with hip-hop vets Q-Tip and Ghostface Killah over catchy synthy beats. It’s different than the Dap Kings influenced Version, in a sense that every song is not arranged in the same fashion. And as it keeps going the guest spots get more and more strange, creating quite the interesting vibe. Boy George, Spank Rock, and the London Gay Men’s Chorus all contribute interesting and odd parts to snappy fun tracks, making the listen not only fun but fascinating. I still prefer Version, and the complete wackiness of Here Comes the Fuzz even, but Record Collection is a nice showing that proves that Ronson doesn’t have a formula to fit into.
Notable Tracks: “The Bike Song” “Introducing the Business” “Bang Bang Bang”
17. Weezer- Hurley
Here it is. Soak it up ladies and gentlemen. Weezer has returned. After three consecutive flops and a departure from Geffen, it seemed as though Weezer had 2 options. One was continue making watered down pop rock under an independent record label, and the other was take some time to record a good album that makes people remember why they love Weezer. What they did falls somewhere in the middle. A year after the laughably bad Raditude, Hurley shows a band that may have been held back by the people at Geffen, but also a band that knows how to make fun pop rock. What was lost between the heavy Maladroit and Hurley? Who knows, but there’s no denying that while it’s not classic, it is certainly a FUN POP ROCK album. The bands critics keep saying they’re never going to be as good as Blue Album or Pinkerton, and my response to that is WHO CARES?! Can’t we just enjoy what they’re making? I thoroughly enjoy this new sound, do I like it better than Blue and Pink? No! But I like it! Rivers may have lost his mind with some of his lyrics (“B.o.B is dying to hang out!”) but he can still make a song that gets stuck in your head for days, and that’s a skill that not many rockers have in this day and age.
Notable Tracks: “Memories” “Trainwrecks” “Smart Girls”
16. Infant Sorrow-Get Him To The Greek
The soundtrack to the same named film, the fictional band fronted by off the wagon rock star Aldous Snow does exactly what the film needs it to do, rock. In the beginning of the film, Jonah Hill’s Aaron Green laments that Snow is the last remaining true rock star, and that perhaps the world needs people like him, and the songs on this soundtrack certainly prove that. They are funny and quirky in their lyrical content, but at the end of the day the just straight up rock. What’s the formula to the greatness of these songs? Is it the mix of having actual rock stars like Jarvis Cocker write music and have comedians like Jason Segel and Judd Apatow write lyrics? Maybe. But the point is that in a generation where all of our comedy music comes from geeky self aware comic groups like Tenacious D and Flight of the Conchords (no offense meant to either group) it’s great to see a Spinal Tap-esque fictional band that can not only make you laugh, but make you bang your head and tap your foot.
Notable Tracks: “Furry Walls” “The Clap” “Bangers, Beans and Mash”
15. The Roots- Hot I Got Over
I was not excited for this album. The constant delays, the shameless self promotion that it was “classic” by Questlove, and the fact that the Jimmy Fallon gig may have taken a toll on the bands songwriting skills, really had my thinking this was going to flop, especially following the star-studded and over the top Rising Down, but this album did deliver in an odd and satisfying way. It’s not the same Roots we’ve heard before, it’s a more driven, rock based sound, and it knows how to entertain. While Blackthought may not be spitting his most politically relevant lyrics, nor is Questlove pushing the band to their musical limits, this album is for once positive in its content and fun in its presentation. With such a vast discography, and a changing of the guard from the god of bass Hub to white boy Owen Biddle, it’s no surprise this isn’t their best work, but it shows that they still have plenty of potential to grow even more than they have over the years.
Notable Tracks: “Dear God 2.0” “How I Got Over” “The Fire”
14. Eminem-Recovery
There are a few artists that are so iconic, that you can’t help but root for through thick and thin. Eminem is one of those guys. Defying the odds and transcending race he became the voice of our generation and made all of us cringe and make sure our parents weren’t in the room when his music videos came on TV. But after the disappointments in Encore and Relapse, there was doubt that Slim Shady would return to true form, but Recovery showed that there is still life in the aging Detroit rapper. This isn’t the same, constantly angry at the world Eminem, this is a grown up who has more life experience than 90% of the rap community. And while he may not be as on point as he was in the past, he can still make rhymes and use his unique and intense flow to command respect. Is this as good as the Slim Shady or Marshall Mathers LP’s? No. But we have an album that never quite hits the lows that his prior two have, and we have a new sort of insight. He can still reference obscene things, but at the same time he can go and preach in songs like “Not Afraid” and it doesn’t seem awkward. I enjoy this album a lot, and if Em can hone his skills even more on his next album, he may have another classic in him.
Notable Tracks: “Cold Wind Blows” “On Fire” “Won’t Back Down”
13. The Dead Weather- Sea of Cowards
In his third consecutive year on the list, Jack White’s The Dead Weather put out another great album. The thing about Jack White is that while all of his music is good and entertaining, it seems as if he’s coasting by putting albums out so fast. And that amazes me. Released a year after their debut Horehound, Sea of Cowards packs the same bluesy, hard edged punch that the bands debut had, and it took less than a year to write and record! That’s incredible. This album starts off hard and effective with “Blue Blood Blues” and more or less keeps rocking until it ends. It’s punchiness musically can be handed to bassist Jack Lawrence and the man himself White behind the drum kit, and the vocals of White and Allison Mosshart just fit perfectly in the sleazy blues of the bands music. Jack White seems to be defying the odds in terms of his track record as of the past few years, and after Sea of Cowards I have high hopes for what is next.
Notable Tracks: “Blue Blood Blues” “Hustle and Cuss” “Gasoline”
12. DJ Muggs vs. Ill Bill-Kill Devil Hills
The third album in Cypress Hill DJ Muggs’ “vs.” series sees the California native team up with Brooklyn’s Ill Bill of Non Phixion and La Coka Nostra. The end result is a very nice dose of hardcore hip hop in a time where the hardest rapper on the radio used to be a corrections officer. Bill has a killer delivery and Muggs crafts great beats that both have a vintage vibe, while still hitting hard. Not to mention the guest spots are pretty good. The obvious Cypress Hill and Coka Nostra ones coming from B-Real, Slaine and Everlast, and surprises from Raekwon and Jedi Mind Tricks’ Vinny Paz help break up Bill’s talents. I like the continuity from Bill’s verses on La Coka Nostra’s A Brand You Can Trust to this album, still talking about how fat America is and his own difficult life, while peppering in political themes with government use of LSD and the illuminati. It’s an album that went overlooked by a lot of people, but it’s a nice combination of two similar forces that is a good time overall.
Notable Tracks: “Cult Assassin” “Amputated Saint” “Skull & Guns”
11. NaS & Damian Marley- Distant Relatives
Another album plagued by delays that made me fear what its quality would be bad, but again I am proven wrong. This disc is just a whole dish of odd-defying quality. While their prior collaboration on Jamrock’s “Road To Zion” showed the chemistry between the two men, Distant Relatives takes that chemistry to new and unseen levels. The dread-ed militant Marley combined with the clean cut, bling and fitted wearing NaS literally come together, combining cultures and styles in a hybrid reggae/rap that never gets boring. While it does run a tad long, it mixes things up enough to make it worth the listen. When not working strictly together, they bring in logical collaborators like Stephen Marley and K’Naan, and those sort of bizarre ones like Lil’ Wayne & Joss Stone (together on one track?). If there was one album that should have received a lot more mainstream attention, it is this one without question.
Notable Tracks: “As We Enter” “Nah Mean” “Africa Must Wake Up”
Stay tuned for the top 10! Surprises may ensue!
Thursday, December 30, 2010
Wednesday, December 29, 2010
Best of 2010: The Let Down's and Honorable Mention's
The end is here...odd to say. Sadly I didn't make it through all 78 albums, but I made it through most of them, and have my list compiled and am working through it. To give you a taste for what may be on it and what definitely won't be, here are this year's let down's and honorable mentions!
The Let Down's:
Every year there are albums that disappoint. These are the albums that disappointed me...
1. Sleigh Bells- Treats: I was promised great things with Sleigh Bells. Noise-pop with an upbeat chick and a one-time metal drummer. I mean how cool of a combination is that? The problem is that the one-time metal drummer’s mixing is ridiculous. Some people like it, a lot of people actually, but by track 3 or 4 my head was about to fall off from the noise and I was not having a good time. I don’t doubt the group can make a great album, I just feel like their current formula is a bit painful to the ears.
2. Nicki Minaj- Pink Friday: Minaj did a lot of boasting this year, gaining the most attention from her showstopping verse on Kanye West’s “Monster” overshadowing West and Jay-Z. However, her album is an odd mix of pop, R&B and hip-hop. There are a few tracks, notably “Roman’s Revenge” with Eminem, that showcase the Minaj that bragged about making a million off of a mixtape. While it’s certainly not bad to rap about diverse things, it’s just when you’re really good at one thing and not so good at other’s, stick to what you’re good at. The song with will.i.am that samples "Video Killed the Radio Star" is near impossible to listen to.
3. M.I.A.- Maya (I’m not going to justify that whole slash thing): M.I.A. had the world on a silver platter following the huge success of Kala, an album that hit #4 on my Best of 2007 list, and its breakout single “Paper Plans”. But what did Maya do? Listened to too much Nine Inch Nails and pretended like she could do whatever she wanted without consequence. Well, the world is paying the price, having wasted 40 minutes listening to Maya.
4. Cee-Lo Green-The Lady Killer: This album is not bad, just not nearly as good as it could’ve been. While I haven’t dived into his prior solo work or the Goodie Mob discography, the two Gnarls Barkley albums are really awesome, and following “Fuck You” everyone expected this album to be a snarky, catchy look at the life of the titular Lady Killer. Instead it’s a run of the mill funky throwback album. “Fuck You” and the bonus track “Love Gun” (NOT a Kiss cover) are the only two that really stood out.
Now to the more positive...
Honorable Mentions:
Those albums that are good, but not quite good enough.
1. Die Antwoord- $O$: I don’t know South African culture, so I don’t know if every rap group over there sounds like Die Antwoord, but the Zef trio to me is one of the most innovative groups of the year. The rapping is strangely diverse, kind of goofy, and at the end of the day really sharp and potent. What brings this album down is just how zany it is. Sometimes the concepts fall flat, so more consistency in a follow-up release is certainly doable.
2. MGMT-Congratulations: Oracular Spectacular took its toll on me. I got really sick of the singles, and the rest of the album kind of fell flat, so I was really skeptical about Congratulations. I was quite surprised when I got around to listen to it, I felt like I was listening to an entirely new band. While a lot of bands have gotten big off of one sound (think how “Fly” by Sugar Ray changed their sound) MGMT opted to do what they wanted to rather than go for the guaranteed paycheck. The album’s not a classic, but it’s a fun listen and it shows guts to do what they did.
3. Johnny Cash- American VI: Ain’t No Grave: Cash’s American series is one of the most interesting and incredible career shifts of all time. Sort of like the Bill Murray of music, Cash changed his direction from the classic country sound to a grim, earthy, heartfelt sound that oftentimes showed awareness that death was looming around the corner. The aptly titled Ain’t No Grave is the last of the recordings done during the American V: A Hundred Highways sessions and while it may be considered a b-sides album, it contains some really good tunes that prove that up until the end Cash was on his game.
4. John Legend and The Roots-Wake Up!: When I saw a poster for this album, I thought it was a joke. Released mere months after the Roots’ How I Got Over, Wake Up! is an odd album to categorize. Legend is a modern R&B crooner and the Roots are a politically aware and highly influential hip-hop band. And when they are put together we get…a funk/soul album of covers of Curtis Mayfield, Marvin Gaye and other classic soul groups? I don’t love this album, but considering the haste in which is was made, promoted and released, I respect the grind put in by Legend and the Roots.
Keep your eyes on your Twitter feed because the list is coming soon!
The Let Down's:
Every year there are albums that disappoint. These are the albums that disappointed me...
1. Sleigh Bells- Treats: I was promised great things with Sleigh Bells. Noise-pop with an upbeat chick and a one-time metal drummer. I mean how cool of a combination is that? The problem is that the one-time metal drummer’s mixing is ridiculous. Some people like it, a lot of people actually, but by track 3 or 4 my head was about to fall off from the noise and I was not having a good time. I don’t doubt the group can make a great album, I just feel like their current formula is a bit painful to the ears.
2. Nicki Minaj- Pink Friday: Minaj did a lot of boasting this year, gaining the most attention from her showstopping verse on Kanye West’s “Monster” overshadowing West and Jay-Z. However, her album is an odd mix of pop, R&B and hip-hop. There are a few tracks, notably “Roman’s Revenge” with Eminem, that showcase the Minaj that bragged about making a million off of a mixtape. While it’s certainly not bad to rap about diverse things, it’s just when you’re really good at one thing and not so good at other’s, stick to what you’re good at. The song with will.i.am that samples "Video Killed the Radio Star" is near impossible to listen to.
3. M.I.A.- Maya (I’m not going to justify that whole slash thing): M.I.A. had the world on a silver platter following the huge success of Kala, an album that hit #4 on my Best of 2007 list, and its breakout single “Paper Plans”. But what did Maya do? Listened to too much Nine Inch Nails and pretended like she could do whatever she wanted without consequence. Well, the world is paying the price, having wasted 40 minutes listening to Maya.
4. Cee-Lo Green-The Lady Killer: This album is not bad, just not nearly as good as it could’ve been. While I haven’t dived into his prior solo work or the Goodie Mob discography, the two Gnarls Barkley albums are really awesome, and following “Fuck You” everyone expected this album to be a snarky, catchy look at the life of the titular Lady Killer. Instead it’s a run of the mill funky throwback album. “Fuck You” and the bonus track “Love Gun” (NOT a Kiss cover) are the only two that really stood out.
Now to the more positive...
Honorable Mentions:
Those albums that are good, but not quite good enough.
1. Die Antwoord- $O$: I don’t know South African culture, so I don’t know if every rap group over there sounds like Die Antwoord, but the Zef trio to me is one of the most innovative groups of the year. The rapping is strangely diverse, kind of goofy, and at the end of the day really sharp and potent. What brings this album down is just how zany it is. Sometimes the concepts fall flat, so more consistency in a follow-up release is certainly doable.
2. MGMT-Congratulations: Oracular Spectacular took its toll on me. I got really sick of the singles, and the rest of the album kind of fell flat, so I was really skeptical about Congratulations. I was quite surprised when I got around to listen to it, I felt like I was listening to an entirely new band. While a lot of bands have gotten big off of one sound (think how “Fly” by Sugar Ray changed their sound) MGMT opted to do what they wanted to rather than go for the guaranteed paycheck. The album’s not a classic, but it’s a fun listen and it shows guts to do what they did.
3. Johnny Cash- American VI: Ain’t No Grave: Cash’s American series is one of the most interesting and incredible career shifts of all time. Sort of like the Bill Murray of music, Cash changed his direction from the classic country sound to a grim, earthy, heartfelt sound that oftentimes showed awareness that death was looming around the corner. The aptly titled Ain’t No Grave is the last of the recordings done during the American V: A Hundred Highways sessions and while it may be considered a b-sides album, it contains some really good tunes that prove that up until the end Cash was on his game.
4. John Legend and The Roots-Wake Up!: When I saw a poster for this album, I thought it was a joke. Released mere months after the Roots’ How I Got Over, Wake Up! is an odd album to categorize. Legend is a modern R&B crooner and the Roots are a politically aware and highly influential hip-hop band. And when they are put together we get…a funk/soul album of covers of Curtis Mayfield, Marvin Gaye and other classic soul groups? I don’t love this album, but considering the haste in which is was made, promoted and released, I respect the grind put in by Legend and the Roots.
Keep your eyes on your Twitter feed because the list is coming soon!
Monday, December 20, 2010
Hey check this out!
I'm listening to albums from 2010, and to keep occupied, I'm compiling albums on my Rate Your Music page into lists. Check out this first one, my All Inclusive Look at the man, myth, legend Mike Patton.
http://rateyourmusic.com/list/DWinch/mike_patton__the_all_inclusive_look
Enjoy! And keep checking back!
http://rateyourmusic.com/list/DWinch/mike_patton__the_all_inclusive_look
Enjoy! And keep checking back!
Tuesday, December 14, 2010
My Listening of 2010
Ladies and gentlemen, we are in December, and thusly it is time to start reflecting on the year in music. Now, unlike so many respectable blogs, I give myself until the very end of the month to listen, re-listen and pick apart albums. But I like to give the lovely 3 or 4 readers of this blog an idea of what they have to choose from. I thought I didn't have much music from this lovely year, but upon making a playlist on iTunes of 2010 music I found close to 1,100 songs from the year! Here is a full list of albums I have (not all I have listened to 2 or 3 times) so this is what is contributing to my list...
1. Andrew W.K.-Mother of Mankind
2. B.o.B-The Adventures of Bobby Ray
3. B.o.B-May 25th
4. Biffy Clyro-iTunes Festival: London 2010
5. Big Boi-Sir Lucious Left Foot: The Son of Chico Dusty
6. The Black Keys-Brothers
7. Brandon Boyd-The Wild Trapeze
8. Broken Bells-Broken Bells
9. Carole King & James Taylor-Live At The Troubadour
10. Cee-Lo Green-The Lady Killer
11. Chris Webby-The Underclassmen
12. The Cool Kids-Tacklebox
13. Cypress Hill-Rise Up
14. Daft Punk-Tron Legacy
15. The Dead Weather-Sea of Cowards
16. Devo-Something for Everybody
17. Die Antwoord- $O$
18. The Dillinger Escape Plan-Option Paralysis
19. DJ Muggs VS Ill Bill-Kill Devil Hills
20. Drake-Thank Me Later
21. El-P-Weareallgoingtoburninhellmegamixxx Vol. 3
22. Elvis Costello-National Ransom
23. Eminem-Recovery
24. Girl Talk-All Day
25. Go Hard Or Go Homeless-Go Hard Or Go Homeless LP
26. Gorillaz-Plastic Beach
27. Infant Sorrow-Get Him To The Greek
28. Janelle Monae-The Archandroid
29. John Legend & The Roots-Wake Up!
30. Johnny Cash-American VI: Ain’t No Grave
31. Kanye West-My Beautiful Dark Twisted Fantasy
32. Kanye West-VH1 Storytellers
33. Katy Perry-Teenage Dream
34. Kid Cudi-Man On The Moon II: The Legend of Mr. Rager
35. Kingfisher-Wizards n’ Stuff
36. LCD Soundsystem-This Is Happening
37. Lil’ Wayne- I Am Not A Human Being
38. Lil’ Wayne-Rebirth
39. Lordi- Babez for Breakfast
40. M.I.A.- /\/\ /\ Y /\
41. Mark Ronson & The Business Intl.-Record Collection
42. Method Man, Ghostface Killah & Raekwon-Wu-Massacre
43. MGMT-Congratulations
44. Mike Falzone-In Between Couch Cushions
45. Mike Patton-Mondo Cane
46. Mumford & Sons- Sigh No More
47. My Chemical Romance-Danger Days: The True Lives of the Fabulous Killjoys
48. N.E.R.D-Nothing
49. NaS & Damian Marley-Distant Relatives
50. Nicki Minaj-Pink Friday
51. OK Go-Of The Blue Colour of the Sky
52. Primus- June 2010 Rehearsal
53. Rhymfest-El Che
54. Rob Zombie- Hellbilly Deluxe 2
55. Robyn-Body Talk Pt. 2
56. The Roots-How I Got Over
57. Sharon Jones & The Dap Kings-I Learned The Hard Way
58. Sleigh Bells-Treats
59. Street Sweeper Social Club-The Ghetto Blaster
60. Streetlight Manifesto-99 Songs of Revolution: Volume 1
61. Tiger Riot-Look Up!
62. Travie McCoy-Lazarus
63. Trey Songz-Passion, Pain and Pleasure
64. Vampire Weekend-Contra
65. Wale-More About Nothing
66. Weezer-Death to False Metal
67. Weezer-Hurley
68. Wiz Khalifa-Kush & Orange Juice
69. Wu-Tang Vs. The Beatles-Enter The Magical Mystery Chambers
70. You Suck-The Mixtape That’s Fun To Listen To
71. You Suck-You Guys Like Hip Hop
72. Various Artists-Crazy Heart
73. Various Artists- HBO Presents: How To Make It In America
74. Various Artists-Scott Pilgrim Vs. The World
76. Rick Ross-Teflon Don
77. Arcade Fire-The Suburbs
78. T.I.-No Mercy
So...that's it.
1. Andrew W.K.-Mother of Mankind
2. B.o.B-The Adventures of Bobby Ray
3. B.o.B-May 25th
4. Biffy Clyro-iTunes Festival: London 2010
5. Big Boi-Sir Lucious Left Foot: The Son of Chico Dusty
6. The Black Keys-Brothers
7. Brandon Boyd-The Wild Trapeze
8. Broken Bells-Broken Bells
9. Carole King & James Taylor-Live At The Troubadour
10. Cee-Lo Green-The Lady Killer
11. Chris Webby-The Underclassmen
12. The Cool Kids-Tacklebox
13. Cypress Hill-Rise Up
14. Daft Punk-Tron Legacy
15. The Dead Weather-Sea of Cowards
16. Devo-Something for Everybody
17. Die Antwoord- $O$
18. The Dillinger Escape Plan-Option Paralysis
19. DJ Muggs VS Ill Bill-Kill Devil Hills
20. Drake-Thank Me Later
21. El-P-Weareallgoingtoburninhellmegamixxx Vol. 3
22. Elvis Costello-National Ransom
23. Eminem-Recovery
24. Girl Talk-All Day
25. Go Hard Or Go Homeless-Go Hard Or Go Homeless LP
26. Gorillaz-Plastic Beach
27. Infant Sorrow-Get Him To The Greek
28. Janelle Monae-The Archandroid
29. John Legend & The Roots-Wake Up!
30. Johnny Cash-American VI: Ain’t No Grave
31. Kanye West-My Beautiful Dark Twisted Fantasy
32. Kanye West-VH1 Storytellers
33. Katy Perry-Teenage Dream
34. Kid Cudi-Man On The Moon II: The Legend of Mr. Rager
35. Kingfisher-Wizards n’ Stuff
36. LCD Soundsystem-This Is Happening
37. Lil’ Wayne- I Am Not A Human Being
38. Lil’ Wayne-Rebirth
39. Lordi- Babez for Breakfast
40. M.I.A.- /\/\ /\ Y /\
41. Mark Ronson & The Business Intl.-Record Collection
42. Method Man, Ghostface Killah & Raekwon-Wu-Massacre
43. MGMT-Congratulations
44. Mike Falzone-In Between Couch Cushions
45. Mike Patton-Mondo Cane
46. Mumford & Sons- Sigh No More
47. My Chemical Romance-Danger Days: The True Lives of the Fabulous Killjoys
48. N.E.R.D-Nothing
49. NaS & Damian Marley-Distant Relatives
50. Nicki Minaj-Pink Friday
51. OK Go-Of The Blue Colour of the Sky
52. Primus- June 2010 Rehearsal
53. Rhymfest-El Che
54. Rob Zombie- Hellbilly Deluxe 2
55. Robyn-Body Talk Pt. 2
56. The Roots-How I Got Over
57. Sharon Jones & The Dap Kings-I Learned The Hard Way
58. Sleigh Bells-Treats
59. Street Sweeper Social Club-The Ghetto Blaster
60. Streetlight Manifesto-99 Songs of Revolution: Volume 1
61. Tiger Riot-Look Up!
62. Travie McCoy-Lazarus
63. Trey Songz-Passion, Pain and Pleasure
64. Vampire Weekend-Contra
65. Wale-More About Nothing
66. Weezer-Death to False Metal
67. Weezer-Hurley
68. Wiz Khalifa-Kush & Orange Juice
69. Wu-Tang Vs. The Beatles-Enter The Magical Mystery Chambers
70. You Suck-The Mixtape That’s Fun To Listen To
71. You Suck-You Guys Like Hip Hop
72. Various Artists-Crazy Heart
73. Various Artists- HBO Presents: How To Make It In America
74. Various Artists-Scott Pilgrim Vs. The World
76. Rick Ross-Teflon Don
77. Arcade Fire-The Suburbs
78. T.I.-No Mercy
So...that's it.
Friday, December 3, 2010
Top 25 Albums of All Time Part V!: #5-1
I apologize for the extreme lateness of this! I have been a busy little beaver for the past month and I have finally taken the time to finish this up. Enjoy it!
5. Primus- Frizzle Fry
Primus is without question my favorite band of all time. I remember getting into them my freshman year of high school, and I have not stopped loving their music since. This album, to me, is the pinnacle of what Primus is capable of and that’s why it’s so wonderful. Any smart music fan knows the band is an outlet for bass virtuoso Les Claypool to basically bother people with how good he is, and on much of his material he shows off nonstop. But on Frizzle Fry, I love the fact that Larry LaLonde’s awesome guitar licks and Tim “Herb” Alexander’s incredible drums are prominently featured. Tracks like “Spaghetti Western” and the titular “Frizzle Fry” would not pack the same punch without Herb’s drumming and Ler’s guitar writhes in and out of Claypool’s eccentric basslines with ease. I think that any band driven by one person ends up losing credibility because the secondary musicians seem to fall behind the one mans incredible playing (i.e. Van Halen, the Jimi Hendrix Experience, The Police) but Primus is definitely a full band ordeal that would not be the same without this prime lineup. Their later albums The Brown Album and Antipop are certainly proof of that.
4. Wu-Tang Clan- Enter the Wu-Tang (36 Chambers)
The greatest hip-hop album ever put together by the greatest hip-hop entity ever put together. The Wu-Tang Clan changed not only the way I looked at hip-hop, but how I looked at music as a whole. This album is a work of art, put together by nine individuals. And not only is it one of those albums that launched careers of its group members (most notably Method Man, Ol’ Dirty Bastard, the RZA and Ghostface Killah) but it’s one of those albums that can stand alone and be enjoyed front to back. It constantly switches from a metaphoric world to one that really exists, the Kung-Fu world of the Wu-Tang representing the urban Staten Island, and then with the snap of a finger we are amidst the Clan in Staten rapping about cash ruling everything around them (cream get the money, dollar dollar bills ya’all). I can rap through this entire album and talk along to the skits between songs. This album laid the groundwork for the greatest hip-hop movement of all time, and in it’s incredibly perfect musical arrangement, it made me come to a whole new appreciation of music.
3. Weezer- Pinkerton
I wrestled with the idea of putting the Blue Album on this list instead of Pinkerton. The thought crossed my mind that I have put Blue Album into my CD player more times than Pinkerton, and that I can sing along to 100% of Blue, while I can only sing about 90% of Pinkerton. But then I thought about something. Rivers Cuomo at one time said he’d never play songs off of this album live because it was so personal to him. Then I thought about the few unfortunate breakups I’ve had to deal with in my life. I didn’t turn to Blue Album at those times, I turned to Pinkerton (and Let it Be, of course). And while it is good that Pinkerton helped me cope with my pubescent loss of girls, it also just rocks. And what makes it rock so hard isn’t distortion or solos, it’s the grit. It’s the emotional attachment to the songs being played. When you listen to Pinkerton you can understand exactly why Rivers was against playing the songs on this album live for so long. I’m one of those people that continues to support Weezer through thick and thin, and this album is one of the reasons why. I know they’ll never make any music on the same level as this, but after giving me Pinkerton and the few other great Weezer albums, I have to respect and support them through high and low. And how many pop rock bands can manage to reference ECW in their tracks, and not only get away with it, but have the song featuring said reference become a CLASSIC. Grunge and New Jack are household names!
2. Mr. Bungle- California
Strange music and I get along very well. But a lot of strange music bothers me. I enjoy listening to it, but there are always qualities that irk me. This album is certainly strange, but absolutely nothing about it irks me. Mike Patton and the Bungle crew have put together the most musically diverse album of undeniably catchy tunes that I have ever heard. There are some albums that never stop getting spun in your car, living room, headphones, and to me this is one of those few albums. Many of the albums on this list get tucked back in the shelf for a few months at a go, but California is one of those albums that constantly perplexes and satisfies me. The music is incredibly performed and written, and the mix is phenomenal. While no one stands out more than Mike Patton, the wide variety of instruments featured covers up any traces of ego that he may have. His vocals mesh perfectly with the music, as he can change his vocal stylings at the drop of a dime, and do it perfectly. What I love about him in Tomahawk is the fact that he can be such a great METAL singer. What I love about Patton in Mr. Bungle, and more specifically this album in general, is that he can be a great singer OVERALL. This is the album that I recommend to any human being. Literally. Anyone. Have you not listened to it? Try it out.
1.Rage Against the Machine- Rage Against the Machine
Is this a surprise number one album? I see no reason as to why that may be the case. This album shaped the way I play both the bass and guitar, and not to mention it acted as a great transition from being a fan of strictly rock and roll, to liking hip-hop as well. It’s perfect in every way. The guitar lines are godly, and the solos are beyond impressive, and the bass is groovy yet still packs a punch harder than many metal bands. And Zack de la Rocha is just incredible on the microphone. While I don’t agree with the politics of the band entirely, I believe that they present their message in a take-no-prisoners method, which has been missing from music since their initial demise. Every song on this album is great in every front. I love this album. I would not be the person that I am had it not been for these 10 songs. And that’s the bottom line.
That's that. What's next? End of the year awards. Hopefully that Hurley/Death To False Metal/Pinkerton Deluxe review I have up my sleeve. Who knows? Me.
5. Primus- Frizzle Fry
Primus is without question my favorite band of all time. I remember getting into them my freshman year of high school, and I have not stopped loving their music since. This album, to me, is the pinnacle of what Primus is capable of and that’s why it’s so wonderful. Any smart music fan knows the band is an outlet for bass virtuoso Les Claypool to basically bother people with how good he is, and on much of his material he shows off nonstop. But on Frizzle Fry, I love the fact that Larry LaLonde’s awesome guitar licks and Tim “Herb” Alexander’s incredible drums are prominently featured. Tracks like “Spaghetti Western” and the titular “Frizzle Fry” would not pack the same punch without Herb’s drumming and Ler’s guitar writhes in and out of Claypool’s eccentric basslines with ease. I think that any band driven by one person ends up losing credibility because the secondary musicians seem to fall behind the one mans incredible playing (i.e. Van Halen, the Jimi Hendrix Experience, The Police) but Primus is definitely a full band ordeal that would not be the same without this prime lineup. Their later albums The Brown Album and Antipop are certainly proof of that.
4. Wu-Tang Clan- Enter the Wu-Tang (36 Chambers)
The greatest hip-hop album ever put together by the greatest hip-hop entity ever put together. The Wu-Tang Clan changed not only the way I looked at hip-hop, but how I looked at music as a whole. This album is a work of art, put together by nine individuals. And not only is it one of those albums that launched careers of its group members (most notably Method Man, Ol’ Dirty Bastard, the RZA and Ghostface Killah) but it’s one of those albums that can stand alone and be enjoyed front to back. It constantly switches from a metaphoric world to one that really exists, the Kung-Fu world of the Wu-Tang representing the urban Staten Island, and then with the snap of a finger we are amidst the Clan in Staten rapping about cash ruling everything around them (cream get the money, dollar dollar bills ya’all). I can rap through this entire album and talk along to the skits between songs. This album laid the groundwork for the greatest hip-hop movement of all time, and in it’s incredibly perfect musical arrangement, it made me come to a whole new appreciation of music.
3. Weezer- Pinkerton
I wrestled with the idea of putting the Blue Album on this list instead of Pinkerton. The thought crossed my mind that I have put Blue Album into my CD player more times than Pinkerton, and that I can sing along to 100% of Blue, while I can only sing about 90% of Pinkerton. But then I thought about something. Rivers Cuomo at one time said he’d never play songs off of this album live because it was so personal to him. Then I thought about the few unfortunate breakups I’ve had to deal with in my life. I didn’t turn to Blue Album at those times, I turned to Pinkerton (and Let it Be, of course). And while it is good that Pinkerton helped me cope with my pubescent loss of girls, it also just rocks. And what makes it rock so hard isn’t distortion or solos, it’s the grit. It’s the emotional attachment to the songs being played. When you listen to Pinkerton you can understand exactly why Rivers was against playing the songs on this album live for so long. I’m one of those people that continues to support Weezer through thick and thin, and this album is one of the reasons why. I know they’ll never make any music on the same level as this, but after giving me Pinkerton and the few other great Weezer albums, I have to respect and support them through high and low. And how many pop rock bands can manage to reference ECW in their tracks, and not only get away with it, but have the song featuring said reference become a CLASSIC. Grunge and New Jack are household names!
2. Mr. Bungle- California
Strange music and I get along very well. But a lot of strange music bothers me. I enjoy listening to it, but there are always qualities that irk me. This album is certainly strange, but absolutely nothing about it irks me. Mike Patton and the Bungle crew have put together the most musically diverse album of undeniably catchy tunes that I have ever heard. There are some albums that never stop getting spun in your car, living room, headphones, and to me this is one of those few albums. Many of the albums on this list get tucked back in the shelf for a few months at a go, but California is one of those albums that constantly perplexes and satisfies me. The music is incredibly performed and written, and the mix is phenomenal. While no one stands out more than Mike Patton, the wide variety of instruments featured covers up any traces of ego that he may have. His vocals mesh perfectly with the music, as he can change his vocal stylings at the drop of a dime, and do it perfectly. What I love about him in Tomahawk is the fact that he can be such a great METAL singer. What I love about Patton in Mr. Bungle, and more specifically this album in general, is that he can be a great singer OVERALL. This is the album that I recommend to any human being. Literally. Anyone. Have you not listened to it? Try it out.
1.Rage Against the Machine- Rage Against the Machine
Is this a surprise number one album? I see no reason as to why that may be the case. This album shaped the way I play both the bass and guitar, and not to mention it acted as a great transition from being a fan of strictly rock and roll, to liking hip-hop as well. It’s perfect in every way. The guitar lines are godly, and the solos are beyond impressive, and the bass is groovy yet still packs a punch harder than many metal bands. And Zack de la Rocha is just incredible on the microphone. While I don’t agree with the politics of the band entirely, I believe that they present their message in a take-no-prisoners method, which has been missing from music since their initial demise. Every song on this album is great in every front. I love this album. I would not be the person that I am had it not been for these 10 songs. And that’s the bottom line.
That's that. What's next? End of the year awards. Hopefully that Hurley/Death To False Metal/Pinkerton Deluxe review I have up my sleeve. Who knows? Me.
Labels:
hip hop,
live music,
music,
music videos,
self indulgence
Monday, October 25, 2010
Top 25 Albums of All Time Part V: #10-6
And I return! Sorry this took so long, I have a life to live.
10. Smashing Pumpkins- Mellon Collie and the Infinite Sadness
Apparently there was a summer when my family was on vacation and my father played this CD a lot. I have no recollection of that, but perhaps it was that early influence that made the album stand out to me. It’s epic in ever way. Duration, songwriting, arrangements, music videos, presentation, everything about this album is incredibly epic. But while some pieces of music that are as grand as this fail because the quality of the music gets caught up in the concept, Corgan and crew flourish in it. And the best part is that while it does swoon through emotions with string sections and acoustics, it can just as easily turn around and kick your ass with its rock tracks. And while “1979” and “Tonight, Tonight” are mainstream almost to the point of being played out, they still hit exactly at the right spot sonically every time. While Billy Corgan has sort of lost his writing edge in the post-Zwan era Pumpkins, it’s good to know I can always go back to Mellon Collie and enjoy utter brilliance.
9. Devo- Q: Are We Not Men? A: We Are Devo!
There was a time in my musical life when I would listen to and pretend to enjoy everything that was weird or abnormal. Some of the stuff I actually dug, some of it I bumped because it was different and most of the time had some musical merit. For a little while I thought Devo, and specifically their debut, fell in the latter category. I don’t know when it was when this album went to bizarre to great, but it was a pretty quick change. Maybe it’s because Devo combines some elements of progressive rock with the straightforwardness of punk, or maybe it’s because of the bizarre lyrics and themes but I really do love me some Are We Not Men? This is an album that downright turns a lot of people off to the non “Whip It” sound that Devo had before they got popular, but it certainly has made me appreciate them a lot more.
8. Red Hot Chili Peppers- Blood, Sugar, Sex, Magik
While many of the bands that I have already mentioned on this list and will mention as the post goes on are consideremd my favorites, the Chili Peppers really aren’t. Just like every musician (bass players especially) there is that essential period of time when one falls in love with RHCP, and with some they stick, but with me everything following their breakout is just sort of weak. Their work prior was good, but aside from a few tracks on Mother’s Milk, none of it was particularly memorable. And the stuff after BSSM is good, but it lacks the raw power and vigor that BSSM has. But coming back to the point, Chili Peppers made a great album that change the face of popular music. Hair metal dominated the 80’s and grunge and pop punk prevailed over most of the 90’s but the Chili Peppers really made it acceptable to be weird and funky and still be able to make money. They didn’t play to conventions and they clearly loved what they were doing (or the drugs made them love it). BSSM has some classic tracks like “Suck My Kiss” “Under the Bridge” and “Give It Away” but it also has a lot of great groove based songs that go under the radar like “Mellowship Slinky in B Major” and the title track. Every few months I arbitrarily try and tell myself the Chili Peppers are too mainstream ans sellout for my taste, and then I hear a track off this album and just get schooled. They were awesome. They aren’t so much anymore, but this album makes me wanna pick up my bass and just jam.
7. Beastie Boys- Paul’s Boutique
There are some albums that really mark a radical change in the way music is looked at, and in my opinion, if it wasn’t for Paul’s Boutique, acts like Girl Talk and Super Mash Bros. would be without a job. The Beasties created a sonic atmosphere unlike any other following their one note debut, it shows growth on all fronts by the group. Lyrically it’s good, but the Beasties have never been considered top tier lyricists as much as they have been admired for their creativity. I can rap along with them and just have a good time, and they don’t seem to care about not challenging the world, so why should I? And the beats are just so cool, they sample so much stuff, but it’s not like modern mash-up artists where the samples make the art, here they add a foundation to the crazy lyrics crafted by the Boys. If there was an album that brought me from being a casual hip-hop fan to hardcore one, it is this without question.
6. The Beatles- Let It Be
NOT Sgt. Pepper! NOT Abbey Road! NOT Revolver! Number six on my list? Am I crazy? Yes. Let It Be is one of the first 2 CD’s I ever purchased, and for the first few years of having it, I never really listened to it. I skipped to the title track and “Get Back” and turned it off. Then, in my post puberty classic rock phase I dusted off the disc and popped it in, and it fit. It fit every mood. I remember driving around post breakups during high school with this album and feeling like there was hope for me yet (THERE STILL IS DAVE, HANG IN THERE!) and there were times when I just felt like hearing some great tunes and I’d put this on and get that. While every Beatles album has a resounding effect on me, as they should with most listeners, Let It Be is the one the evaded me in my youth, only to come back ten fold when I gave it a second chance. And did I mention “Get Back” is easily in the top five Beatles songs for me? Dare I say it is the best?!
ONE MORE TO GO! WHAT WILL BE ON THE LIST?! WHO KNOWS?! ME!
10. Smashing Pumpkins- Mellon Collie and the Infinite Sadness
Apparently there was a summer when my family was on vacation and my father played this CD a lot. I have no recollection of that, but perhaps it was that early influence that made the album stand out to me. It’s epic in ever way. Duration, songwriting, arrangements, music videos, presentation, everything about this album is incredibly epic. But while some pieces of music that are as grand as this fail because the quality of the music gets caught up in the concept, Corgan and crew flourish in it. And the best part is that while it does swoon through emotions with string sections and acoustics, it can just as easily turn around and kick your ass with its rock tracks. And while “1979” and “Tonight, Tonight” are mainstream almost to the point of being played out, they still hit exactly at the right spot sonically every time. While Billy Corgan has sort of lost his writing edge in the post-Zwan era Pumpkins, it’s good to know I can always go back to Mellon Collie and enjoy utter brilliance.
9. Devo- Q: Are We Not Men? A: We Are Devo!
There was a time in my musical life when I would listen to and pretend to enjoy everything that was weird or abnormal. Some of the stuff I actually dug, some of it I bumped because it was different and most of the time had some musical merit. For a little while I thought Devo, and specifically their debut, fell in the latter category. I don’t know when it was when this album went to bizarre to great, but it was a pretty quick change. Maybe it’s because Devo combines some elements of progressive rock with the straightforwardness of punk, or maybe it’s because of the bizarre lyrics and themes but I really do love me some Are We Not Men? This is an album that downright turns a lot of people off to the non “Whip It” sound that Devo had before they got popular, but it certainly has made me appreciate them a lot more.
8. Red Hot Chili Peppers- Blood, Sugar, Sex, Magik
While many of the bands that I have already mentioned on this list and will mention as the post goes on are consideremd my favorites, the Chili Peppers really aren’t. Just like every musician (bass players especially) there is that essential period of time when one falls in love with RHCP, and with some they stick, but with me everything following their breakout is just sort of weak. Their work prior was good, but aside from a few tracks on Mother’s Milk, none of it was particularly memorable. And the stuff after BSSM is good, but it lacks the raw power and vigor that BSSM has. But coming back to the point, Chili Peppers made a great album that change the face of popular music. Hair metal dominated the 80’s and grunge and pop punk prevailed over most of the 90’s but the Chili Peppers really made it acceptable to be weird and funky and still be able to make money. They didn’t play to conventions and they clearly loved what they were doing (or the drugs made them love it). BSSM has some classic tracks like “Suck My Kiss” “Under the Bridge” and “Give It Away” but it also has a lot of great groove based songs that go under the radar like “Mellowship Slinky in B Major” and the title track. Every few months I arbitrarily try and tell myself the Chili Peppers are too mainstream ans sellout for my taste, and then I hear a track off this album and just get schooled. They were awesome. They aren’t so much anymore, but this album makes me wanna pick up my bass and just jam.
7. Beastie Boys- Paul’s Boutique
There are some albums that really mark a radical change in the way music is looked at, and in my opinion, if it wasn’t for Paul’s Boutique, acts like Girl Talk and Super Mash Bros. would be without a job. The Beasties created a sonic atmosphere unlike any other following their one note debut, it shows growth on all fronts by the group. Lyrically it’s good, but the Beasties have never been considered top tier lyricists as much as they have been admired for their creativity. I can rap along with them and just have a good time, and they don’t seem to care about not challenging the world, so why should I? And the beats are just so cool, they sample so much stuff, but it’s not like modern mash-up artists where the samples make the art, here they add a foundation to the crazy lyrics crafted by the Boys. If there was an album that brought me from being a casual hip-hop fan to hardcore one, it is this without question.
6. The Beatles- Let It Be
NOT Sgt. Pepper! NOT Abbey Road! NOT Revolver! Number six on my list? Am I crazy? Yes. Let It Be is one of the first 2 CD’s I ever purchased, and for the first few years of having it, I never really listened to it. I skipped to the title track and “Get Back” and turned it off. Then, in my post puberty classic rock phase I dusted off the disc and popped it in, and it fit. It fit every mood. I remember driving around post breakups during high school with this album and feeling like there was hope for me yet (THERE STILL IS DAVE, HANG IN THERE!) and there were times when I just felt like hearing some great tunes and I’d put this on and get that. While every Beatles album has a resounding effect on me, as they should with most listeners, Let It Be is the one the evaded me in my youth, only to come back ten fold when I gave it a second chance. And did I mention “Get Back” is easily in the top five Beatles songs for me? Dare I say it is the best?!
ONE MORE TO GO! WHAT WILL BE ON THE LIST?! WHO KNOWS?! ME!
Friday, October 1, 2010
Top 25 Albums of All Time Part IV: #15-11
Guess whose back? No The Eminem Show won't be on this list...
15. Van Halen- Van Halen
My first concert was A Perfect Circle, but the first concert that I got really excited for was Van Halen. I remember having very little experience with the band, aside from what friends had played me, but thanks to a hookup from my father, I got really good floor seat tickets and my dad paid for half of them. With all of that being said, my preparation for the concert was the bands self titled debut and jeez did it prepare me well. I remember driving to the concert in my dad’s truck with the album blasting, and my dad just saying how it never stopped being loud and over the top. And that’s why it’s great. When it does cease on my favorite track “Ice Cream Man” it does so only to build it’s explosion that much more (my dad liked the song up until said explosion). The guitar work is obviously incredible, Lee Roth brings the frontman thing to new levels and Anthony and Alex Van Halen provide for a great backing section. A great pop rock album, regardless of what metalheads may say, it is pop through and through and I love it.
14. System of a Down- Hypnotize
Another album that came along at a great time for me. It was senior year, I was leaving on a plane for California in mere hours and I ran to Target to pick this up, import it onto my iPod and get it loaded and charged for the plane ride ahead. Now the first listen of this noisy chaotic mess of an album I was disappointed. I had listened to it’s prequel Mesmerize a hundred times and had fallen in love with it, but Hypnotize was almost too much. However, after listening to it several times, and having years and years of musical knowledge behind my back now (not to be a braggart, I just know a lot more about music now than I did then), I learned that the collective oddness of Hypnotize is truly the best effort that System of a Down brought to this day. They took a huge risk on a major label album and made a fantastically quirky metal album that does not translate easily to the masses, it’s pure genius in my mind. And while there are a handful of songs I downright dislike, as well as Serj Tankian’s over the top lyrics, I love this album as a whole. No doubt.
13. Queens of the Stone Age- Songs For The Deaf
I think second to Ocean Avenue, this was an album that I caught a lot of flack for listening to in high school, but unlike Ocean Avenue, most of the haters have grown into liking Josh Homme’s heroine induced desert rock wet dream. I got this album after hearing “No One Knows” on MTV2 back in the day and I instantly loved the way the rest of the album diverts from that sound, pretty much every track sounds at least a little bit different from the rest. And compared to much of music (and more than a few albums on this list) that’s a really good thing. Not to mention Dave Grohl behind the kit on this album is just an adrenaline burner, as he brings it hardcore. And this is the last album the Nick Oliveri played on before being kicked out of the band, so it really has a lot to say. To me personally it was the album that made me divert from the norm of the pop punk I’d been listening to almost exclusively up until that point.
12. The Jimi Hendrix Experience- Electric Ladyland
Why Ladyland over Are You Experienced? or even Axis? Simple. Because Ladyland is a mix of both of those two albums. To me Are You Experienced? will always be the Hendrix album that is beaten into every young guitarists head, as well as every classic rock radio station. It has more or less 90% of Jimi’s hits. Axis is a great album in its own right, but it just doesn’t have that zing factor, but Ladyland...it’s perfect. There are some really popular songs in “Voodoo Child (Slight Return)” and “All Along The Watchtower” on top of some great jams you’ll never hear on the radio. Jimi brought me into loving the guitar as an instrument, as I’m sure he’s done with countless players, and this album is just a wonderful showing of how great he can play without having that sellout factor that I feel like Are You Experienced? had.
11. Public Enemy- It Takes A Nation of Millions to Hold Us Back
I was a senior in high school when I bought this album and everyone thought it was sort of a joke. Flavor Flav was at the peak of his fame on VH1 and the only hip-hop I had been listening to was the Beastie Boys. I remember playing this album and just being wowed by Chuck D’s presence. Flav does bring the charisma to the group, but Chuck’s words are tremendously impactful that they made, and to this day still make me feel like I am a black American suffering through the same things that Public Enemy is. Fast forward a few years later to a time when I had sort of put this album and PE on the back burner, and my at the time boss brought them up in conversation, saying “Have you heard ‘Black Steel in the Hour of Chaos’?” And it had been so long I said “I don’t think so,” and when he put that song on it hooked me right back in. Chuck D is my number 2 favorite rapper of all time, and Public Enemy as a whole is my number 3 favorite rap group of all time. And they make you party for your right to fight in a time when people were just fighting for their right to party.
Two more installments and this will all be done!
15. Van Halen- Van Halen
My first concert was A Perfect Circle, but the first concert that I got really excited for was Van Halen. I remember having very little experience with the band, aside from what friends had played me, but thanks to a hookup from my father, I got really good floor seat tickets and my dad paid for half of them. With all of that being said, my preparation for the concert was the bands self titled debut and jeez did it prepare me well. I remember driving to the concert in my dad’s truck with the album blasting, and my dad just saying how it never stopped being loud and over the top. And that’s why it’s great. When it does cease on my favorite track “Ice Cream Man” it does so only to build it’s explosion that much more (my dad liked the song up until said explosion). The guitar work is obviously incredible, Lee Roth brings the frontman thing to new levels and Anthony and Alex Van Halen provide for a great backing section. A great pop rock album, regardless of what metalheads may say, it is pop through and through and I love it.
14. System of a Down- Hypnotize
Another album that came along at a great time for me. It was senior year, I was leaving on a plane for California in mere hours and I ran to Target to pick this up, import it onto my iPod and get it loaded and charged for the plane ride ahead. Now the first listen of this noisy chaotic mess of an album I was disappointed. I had listened to it’s prequel Mesmerize a hundred times and had fallen in love with it, but Hypnotize was almost too much. However, after listening to it several times, and having years and years of musical knowledge behind my back now (not to be a braggart, I just know a lot more about music now than I did then), I learned that the collective oddness of Hypnotize is truly the best effort that System of a Down brought to this day. They took a huge risk on a major label album and made a fantastically quirky metal album that does not translate easily to the masses, it’s pure genius in my mind. And while there are a handful of songs I downright dislike, as well as Serj Tankian’s over the top lyrics, I love this album as a whole. No doubt.
13. Queens of the Stone Age- Songs For The Deaf
I think second to Ocean Avenue, this was an album that I caught a lot of flack for listening to in high school, but unlike Ocean Avenue, most of the haters have grown into liking Josh Homme’s heroine induced desert rock wet dream. I got this album after hearing “No One Knows” on MTV2 back in the day and I instantly loved the way the rest of the album diverts from that sound, pretty much every track sounds at least a little bit different from the rest. And compared to much of music (and more than a few albums on this list) that’s a really good thing. Not to mention Dave Grohl behind the kit on this album is just an adrenaline burner, as he brings it hardcore. And this is the last album the Nick Oliveri played on before being kicked out of the band, so it really has a lot to say. To me personally it was the album that made me divert from the norm of the pop punk I’d been listening to almost exclusively up until that point.
12. The Jimi Hendrix Experience- Electric Ladyland
Why Ladyland over Are You Experienced? or even Axis? Simple. Because Ladyland is a mix of both of those two albums. To me Are You Experienced? will always be the Hendrix album that is beaten into every young guitarists head, as well as every classic rock radio station. It has more or less 90% of Jimi’s hits. Axis is a great album in its own right, but it just doesn’t have that zing factor, but Ladyland...it’s perfect. There are some really popular songs in “Voodoo Child (Slight Return)” and “All Along The Watchtower” on top of some great jams you’ll never hear on the radio. Jimi brought me into loving the guitar as an instrument, as I’m sure he’s done with countless players, and this album is just a wonderful showing of how great he can play without having that sellout factor that I feel like Are You Experienced? had.
11. Public Enemy- It Takes A Nation of Millions to Hold Us Back
I was a senior in high school when I bought this album and everyone thought it was sort of a joke. Flavor Flav was at the peak of his fame on VH1 and the only hip-hop I had been listening to was the Beastie Boys. I remember playing this album and just being wowed by Chuck D’s presence. Flav does bring the charisma to the group, but Chuck’s words are tremendously impactful that they made, and to this day still make me feel like I am a black American suffering through the same things that Public Enemy is. Fast forward a few years later to a time when I had sort of put this album and PE on the back burner, and my at the time boss brought them up in conversation, saying “Have you heard ‘Black Steel in the Hour of Chaos’?” And it had been so long I said “I don’t think so,” and when he put that song on it hooked me right back in. Chuck D is my number 2 favorite rapper of all time, and Public Enemy as a whole is my number 3 favorite rap group of all time. And they make you party for your right to fight in a time when people were just fighting for their right to party.
Two more installments and this will all be done!
Labels:
lists,
live music,
music,
music videos,
self indulgence
Monday, September 27, 2010
Top 25 Albums of All Time Part III: #20-16
And here continues the list...
20. Oysterhead- The Grand Pecking Order
There was a phase in my late-high school early-college musical fandom that I basically bought every CD by my favorite musicians if they were at a decent price. Upon finding Oysterhead’s The Grand Pecking Order used at FYE one day I bought it without question because I knew Primus frontman Les Claypool was in the group. What I didn’t realize was that Phish frontman/god to modern hippies Trey Anastasio was the guitarist and Police drummer Stewart Copeland was behind the skins. Three men that drive their respective bands coming together to form some sort of musical orgy of jam band, metal and 80’s pop rock. The end result is divine. Trey’s free flowing playing alongside Copeland’s offbeat drum hits and Claypool’s over the top bass playing make one of the most surprisingly amazing combinations in my mind. Claypool has a dozen side projects with a dozen great musicians (Buckethead, Bernie Worrell, Warren Haynes and Tom Waits to name a few) but this one stands out as him stepping out of the spotlight to let the talent of the other 2 players take the lead just as frequently as him. And the best part is that the album doesn’t sound like Primus, Phish or The Police, it sounds completely unique and it is highly unlikely we’ll ever see anything from this group again.
19. Tomahawk-Tomahawk
Copy and paste the first sentence from the last issue but replace Les Claypool with Mike Patton and you have the story of me discovering Tomahawk. Mix the Mr. Bungle/Faith No More frontman with the guitar player from The Jesus Lizard, the drummer from Helmet and the bassist from The Melvins and you have this godly metal beast. Their 2001 debut is easily the best album of their trilogy, and it’s tense moodiness really sets up for the nasty breakdowns and scream filled choruses that populate most of the album. Jesus Lizard alum Duane Denison brings his slithery playing to a much heavier zone and the bass/drums compliment it perfectly, giving Patton uniquely insane music to sing/scream/growl over. I’m not a metal expert, in fact I consider myself a novice at best, but I can’t deny this album a spot on this list, as it’s one of those albums that makes any mundane moment that much more exciting.
18. Incubus- S.C.I.E.N.C.E
Funk, at the end of the day, is my favorite kind of music. And early Incubus certainly has its share of funk in it. I came into Incubus the wrong way, starting with the mellow MTV friendly Morning View, going a step back chronologically to the brilliantly commercial Make Yourself and then finally arriving on the schizophrenic, genre jumping S.C.I.E.N.C.E. This album, to me, is Incubus at their best. The grooves between Guitarist Mike Enziger, drummer Jose Pasillas and god of bass Dirk Lance, are so incredibly tight yet retain the grooviness of so many improv-heavy grooves. Add to that the slick turntabling and beautifully chaotic voice of the then dreaded Brandon Boyd and you have one of the coolest albums I’ve ever heard in my life. While I may not bump it so much these days, as a player and a listener, this album deserves all the respect I have to give.
17. The Roots-Game Theory
Prior to this album, my main Roots experience was their 1995 jazz heavy album Do You Want More?!!??! and while I respected that album for what it did musically, I never really loved it. Game Theory however, changed the way I thought about the group for the better. The music is dark, when it’s positive it still feels like something bad can happen, and the raps are honestly some of the best I’ve ever heard. This album made me respect Questlove as more than just a drummer, and it made me realize that Blackthought is my favorite rapper in the game today. While Def Jam didn’t do a great job making this album the commercial success it could’ve been, I kind of appreciate the fact that it’s a tad more cult-ish than the rest of their work.
16. Biffy Clyro- Only Revolutions
The most recent album on the list, and the one I had the hardest time justifying putting on here. While I listened to this albums predecessor Puzzle more than Only Revolutions, something about this album stands out. I listened to it twice upon downloading it and thought it wasn’t as good as Puzzle, but then at the beginning of the summer I started listening to it. Every day. No album has made me put it on every single day since middle school, yet the great songs on this album kept calling me back over and over and even though it’s still freshly classic in my mind there is no doubt that it will stay that way. While it is sort of generic in a sense that it doesn’t change the way rock and roll is looked at, it’s epic. The arrangements, the lyrical content, the energy, and the fact that it’s three guys making the music, really makes this band, and this album, great.
Stay tuned for more!
20. Oysterhead- The Grand Pecking Order
There was a phase in my late-high school early-college musical fandom that I basically bought every CD by my favorite musicians if they were at a decent price. Upon finding Oysterhead’s The Grand Pecking Order used at FYE one day I bought it without question because I knew Primus frontman Les Claypool was in the group. What I didn’t realize was that Phish frontman/god to modern hippies Trey Anastasio was the guitarist and Police drummer Stewart Copeland was behind the skins. Three men that drive their respective bands coming together to form some sort of musical orgy of jam band, metal and 80’s pop rock. The end result is divine. Trey’s free flowing playing alongside Copeland’s offbeat drum hits and Claypool’s over the top bass playing make one of the most surprisingly amazing combinations in my mind. Claypool has a dozen side projects with a dozen great musicians (Buckethead, Bernie Worrell, Warren Haynes and Tom Waits to name a few) but this one stands out as him stepping out of the spotlight to let the talent of the other 2 players take the lead just as frequently as him. And the best part is that the album doesn’t sound like Primus, Phish or The Police, it sounds completely unique and it is highly unlikely we’ll ever see anything from this group again.
19. Tomahawk-Tomahawk
Copy and paste the first sentence from the last issue but replace Les Claypool with Mike Patton and you have the story of me discovering Tomahawk. Mix the Mr. Bungle/Faith No More frontman with the guitar player from The Jesus Lizard, the drummer from Helmet and the bassist from The Melvins and you have this godly metal beast. Their 2001 debut is easily the best album of their trilogy, and it’s tense moodiness really sets up for the nasty breakdowns and scream filled choruses that populate most of the album. Jesus Lizard alum Duane Denison brings his slithery playing to a much heavier zone and the bass/drums compliment it perfectly, giving Patton uniquely insane music to sing/scream/growl over. I’m not a metal expert, in fact I consider myself a novice at best, but I can’t deny this album a spot on this list, as it’s one of those albums that makes any mundane moment that much more exciting.
18. Incubus- S.C.I.E.N.C.E
Funk, at the end of the day, is my favorite kind of music. And early Incubus certainly has its share of funk in it. I came into Incubus the wrong way, starting with the mellow MTV friendly Morning View, going a step back chronologically to the brilliantly commercial Make Yourself and then finally arriving on the schizophrenic, genre jumping S.C.I.E.N.C.E. This album, to me, is Incubus at their best. The grooves between Guitarist Mike Enziger, drummer Jose Pasillas and god of bass Dirk Lance, are so incredibly tight yet retain the grooviness of so many improv-heavy grooves. Add to that the slick turntabling and beautifully chaotic voice of the then dreaded Brandon Boyd and you have one of the coolest albums I’ve ever heard in my life. While I may not bump it so much these days, as a player and a listener, this album deserves all the respect I have to give.
17. The Roots-Game Theory
Prior to this album, my main Roots experience was their 1995 jazz heavy album Do You Want More?!!??! and while I respected that album for what it did musically, I never really loved it. Game Theory however, changed the way I thought about the group for the better. The music is dark, when it’s positive it still feels like something bad can happen, and the raps are honestly some of the best I’ve ever heard. This album made me respect Questlove as more than just a drummer, and it made me realize that Blackthought is my favorite rapper in the game today. While Def Jam didn’t do a great job making this album the commercial success it could’ve been, I kind of appreciate the fact that it’s a tad more cult-ish than the rest of their work.
16. Biffy Clyro- Only Revolutions
The most recent album on the list, and the one I had the hardest time justifying putting on here. While I listened to this albums predecessor Puzzle more than Only Revolutions, something about this album stands out. I listened to it twice upon downloading it and thought it wasn’t as good as Puzzle, but then at the beginning of the summer I started listening to it. Every day. No album has made me put it on every single day since middle school, yet the great songs on this album kept calling me back over and over and even though it’s still freshly classic in my mind there is no doubt that it will stay that way. While it is sort of generic in a sense that it doesn’t change the way rock and roll is looked at, it’s epic. The arrangements, the lyrical content, the energy, and the fact that it’s three guys making the music, really makes this band, and this album, great.
Stay tuned for more!
Labels:
hip hop,
lists,
live music,
music,
self indulgence
Sunday, September 26, 2010
Top 25 Of All Time Part II: #25-21
Last entry you got to see the albums that didn't make the final cut to this fine list of my favorite albums of all time. Now, ladies and gentlemen, we march onward with the first 5 entries. Here we go!
25. The Kinks-Lola vs. Powerman and the Moneyground Part I
God The Kinks are a great band, and one that deserves more radio play outside of “You Really Got Me” and titular character of this album “Lola”. Believe it or not, this is the only Kinks album I have outside of their greatest hits and I owe that to Wes Anderson. Three tracks off this album were prominently featured in his film The Darjeeling Limited, and had it not been for that film I wouldn’t have been so driven to start listening to this album. I don’t consider myself a folk fan, but I really dig the overall rawness of this album. Acoustic guitars that sound muddy with wonderful layers of everything else that makes the Kinks great on top of them. It’s not all super punky, the sound that people always say the Kinks helped pioneer, but in that it shows some brains.
24. Yellowcard- Ocean Avenue
I think I have made some enemies by putting this album on this list. But allow me to explain, when my friends talk about going back in time and listening to that one album they expect to grow out of but it’s still just as fun and awesome, they always say Blink 182’s Enema of the State. Now maybe it’s because I feared the wrath of my parents listening to the aforementioned album when I was 14 and grounding me, but Ocean Avenue fills that void for me. It’s glorious pop punk that covers all of the essential bases. I can honestly sing along to this entire album and not get bored or tired of it. If there is ever a moment in time when I want to feel like a teenage girl, I always turn directly to the violin ridden Ocean Avenue and have a great time doing it.
23. Vampire Weekend- Vampire Weekend
One of the most recent albums to make the list, Vampire Weekend did something to me that I never thought would happen, it made me like indie rock again. After getting into hip-hop in the early years of college, my rock pallet mainly consisted of classic rock, nostalgia rock (see Yellowcard) and super heavy modern and experimental rock, but upon the urging of friends and the constant play of “A-Punk” on CT’s Radio 104.1, I gave this self titled album a chance and loved it. It is intricately simple, super quick and note filled riffs that feel like they could be placed into a Ramones song. The fact that these hipster, polo wearing rockers are just so openly suburban about their approach is like Kanye West wearing a polo, it’s a statement that they’re not going to change who they are (cough cough every Long Island band) to make records. Pop those collars Vampire Weekend, I’d have it no other way.
22. House of Pain- House of Pain (Fine Malt Lyrics)
Being the attentive Irish that I am, I used to bump “Jump Around” every Saint Patrick’s Day as an alternative to the overdosing of Flogging Molly, Dropkick Murphy’s and The Pogues. And upon seeing House of Pain’s self titled debut sitting in a discount bin at a reputable record store, I purchased it and after one listen, didn’t think twice about it for a long time. However, one random day two summers ago I started listening again. And again. And again. The combination of DJ Lethal’s muddy beats with Everlast’s boastful lyrics and Danny Boy’s quick in-and-out Eazy-E like presence, I fell in love with the House. The lyrics aren’t deep, the subject matter is somewhat limited, and it’s an album I can easily see 90% of the world passing on, but without question, this album has changed the way I look at hip-hop.
21. Gym Class Heroes- The Papercut Chronicles
Travis McCoy is one of the best rappers alive and the world doesn’t realize it. And I think at this juncture, dropping the “is” and replacing it with “ie” to become Travie, he doesn’t even realize it either. But The Papercut Chronicles is an album that goes all over the map as far as content is concerned. The way the rhythm section grooves over raps about girls, drugs, suicide, fitting in and other such issues is awesome. You don’t hear bands that make songs like “Cupid’s Chokehold” follow them up with song’s like “Pillmatic” and “Faces in the Hall” and that’s what made Gym Class, at this point in their career, so good.
Stay tuned for the rest of the list!
25. The Kinks-Lola vs. Powerman and the Moneyground Part I
God The Kinks are a great band, and one that deserves more radio play outside of “You Really Got Me” and titular character of this album “Lola”. Believe it or not, this is the only Kinks album I have outside of their greatest hits and I owe that to Wes Anderson. Three tracks off this album were prominently featured in his film The Darjeeling Limited, and had it not been for that film I wouldn’t have been so driven to start listening to this album. I don’t consider myself a folk fan, but I really dig the overall rawness of this album. Acoustic guitars that sound muddy with wonderful layers of everything else that makes the Kinks great on top of them. It’s not all super punky, the sound that people always say the Kinks helped pioneer, but in that it shows some brains.
24. Yellowcard- Ocean Avenue
I think I have made some enemies by putting this album on this list. But allow me to explain, when my friends talk about going back in time and listening to that one album they expect to grow out of but it’s still just as fun and awesome, they always say Blink 182’s Enema of the State. Now maybe it’s because I feared the wrath of my parents listening to the aforementioned album when I was 14 and grounding me, but Ocean Avenue fills that void for me. It’s glorious pop punk that covers all of the essential bases. I can honestly sing along to this entire album and not get bored or tired of it. If there is ever a moment in time when I want to feel like a teenage girl, I always turn directly to the violin ridden Ocean Avenue and have a great time doing it.
23. Vampire Weekend- Vampire Weekend
One of the most recent albums to make the list, Vampire Weekend did something to me that I never thought would happen, it made me like indie rock again. After getting into hip-hop in the early years of college, my rock pallet mainly consisted of classic rock, nostalgia rock (see Yellowcard) and super heavy modern and experimental rock, but upon the urging of friends and the constant play of “A-Punk” on CT’s Radio 104.1, I gave this self titled album a chance and loved it. It is intricately simple, super quick and note filled riffs that feel like they could be placed into a Ramones song. The fact that these hipster, polo wearing rockers are just so openly suburban about their approach is like Kanye West wearing a polo, it’s a statement that they’re not going to change who they are (cough cough every Long Island band) to make records. Pop those collars Vampire Weekend, I’d have it no other way.
22. House of Pain- House of Pain (Fine Malt Lyrics)
Being the attentive Irish that I am, I used to bump “Jump Around” every Saint Patrick’s Day as an alternative to the overdosing of Flogging Molly, Dropkick Murphy’s and The Pogues. And upon seeing House of Pain’s self titled debut sitting in a discount bin at a reputable record store, I purchased it and after one listen, didn’t think twice about it for a long time. However, one random day two summers ago I started listening again. And again. And again. The combination of DJ Lethal’s muddy beats with Everlast’s boastful lyrics and Danny Boy’s quick in-and-out Eazy-E like presence, I fell in love with the House. The lyrics aren’t deep, the subject matter is somewhat limited, and it’s an album I can easily see 90% of the world passing on, but without question, this album has changed the way I look at hip-hop.
21. Gym Class Heroes- The Papercut Chronicles
Travis McCoy is one of the best rappers alive and the world doesn’t realize it. And I think at this juncture, dropping the “is” and replacing it with “ie” to become Travie, he doesn’t even realize it either. But The Papercut Chronicles is an album that goes all over the map as far as content is concerned. The way the rhythm section grooves over raps about girls, drugs, suicide, fitting in and other such issues is awesome. You don’t hear bands that make songs like “Cupid’s Chokehold” follow them up with song’s like “Pillmatic” and “Faces in the Hall” and that’s what made Gym Class, at this point in their career, so good.
Stay tuned for the rest of the list!
Labels:
hip hop,
lists,
music,
music videos,
self indulgence
Friday, September 24, 2010
Top 25 Albums of All Time: Part One "Those that didn't make the cut..."
I return to this blog that a man challenged, a man burdened. “By what?” you may find yourself asking. Is it schoolwork? No. Is it a serious problem? Absolutely not. The other day while on Twitter, I noticed my brother had started making mentions of a list of Top 25 albums of all time. This is something I’ve thought about a lot over the past 5 or 6 years, but never any more than just 9 or 10 albums that defined me. Within the confines of this blog you’ll see best of years lists as well as an assortment of other entries sorting music by some random concept. But a definitive list of albums that define me, David Henry Patrick Winchell, at the ripe age of twenty-two and nearly four months, that became a list that was harder to put together than I thought it would be.
I went about compiling this list during my now frequent insomnia bouts, sitting at my computer thinking and thinking until it dawned on me to simply scroll down my iTunes library and pick out albums that have affected me. Now, this is how my sorting process worked. After rattling off the essential albums that I knew would appear on the list, I started at letter A and went down to Z with the question “Has this album ever been the best album in the world to me?” Whether it be for a week, a few months or a year I pulled every single album that has transcended the two or three listen mark and lined them up. What I will be presenting you all with today is the list of albums that were knocked off the list. Some within moments (you can pretty easily guess which ones) and some that I had to battle with axing.
Before you read this I would like you all to take a few things into the equation. Some of your favorite, as well as my favorite, artists that I grew up with or learned to love were done solely by greatest hits albums. Bands like The Rolling Stones, They Might Be Giants, Simon and Garfunkel, David Bowie...all of these groups I love but don’t consider myself a fan enough of diving down the rabbit hole to learn more than the super expansive 40+ track greatest hits albums I have accumulated. So without further adieu, here are the albums that did not make my top 25. Don’t hate.
1. Peeping Tom-Peeping Tom
2. Andrew W.K.-I Get Wet
3. Aesop Rock-None Shall Pass
4. Beck-Guero
5. Cake-Fashion Nugget
6. The Clash-London Calling
7. Common-Be
8. The Cool Kids-The Bake Sale
9. Eagles of Death Metal-Death By Sexy
10. The Good, The Bad and The Queen-The Good, The Bad and The Queen
11. GZA-Liquid Swords
12. Gorillaz-Demon Days
13. Johnny Cash-Live At San Quentin
14. k-Os-Joyful Rebellion
15. Kanye West-Graduation
16. Led Zeppelin-Led Zeppelin II
17. Limp Bizkit-Significant Other
18. Mos Def-Black On Both Sides
19. N.W.A-Straight Outta Compton
20. NaS-Illmatic
21. Pitchshiter- www.pitchshifter.com
22. The Postal Service Service-Give Up
23. The Presidents of the United States of America
24. Rob Zombie-Hellbilly Deluxe
25. The Stooges-Raw Power
26. A Tribe Called Quest-The Low End Theory
27. Jackson 5-Diana Ross Presents: The Jackson 5
28. Brother Ali-Us
Look at that list! Now if you thought that this preliminary thing packed a lot of punches, JUST WAIT TO SEE HOW UNPREDICTABLE MY TOP 25 IS!
I went about compiling this list during my now frequent insomnia bouts, sitting at my computer thinking and thinking until it dawned on me to simply scroll down my iTunes library and pick out albums that have affected me. Now, this is how my sorting process worked. After rattling off the essential albums that I knew would appear on the list, I started at letter A and went down to Z with the question “Has this album ever been the best album in the world to me?” Whether it be for a week, a few months or a year I pulled every single album that has transcended the two or three listen mark and lined them up. What I will be presenting you all with today is the list of albums that were knocked off the list. Some within moments (you can pretty easily guess which ones) and some that I had to battle with axing.
Before you read this I would like you all to take a few things into the equation. Some of your favorite, as well as my favorite, artists that I grew up with or learned to love were done solely by greatest hits albums. Bands like The Rolling Stones, They Might Be Giants, Simon and Garfunkel, David Bowie...all of these groups I love but don’t consider myself a fan enough of diving down the rabbit hole to learn more than the super expansive 40+ track greatest hits albums I have accumulated. So without further adieu, here are the albums that did not make my top 25. Don’t hate.
1. Peeping Tom-Peeping Tom
2. Andrew W.K.-I Get Wet
3. Aesop Rock-None Shall Pass
4. Beck-Guero
5. Cake-Fashion Nugget
6. The Clash-London Calling
7. Common-Be
8. The Cool Kids-The Bake Sale
9. Eagles of Death Metal-Death By Sexy
10. The Good, The Bad and The Queen-The Good, The Bad and The Queen
11. GZA-Liquid Swords
12. Gorillaz-Demon Days
13. Johnny Cash-Live At San Quentin
14. k-Os-Joyful Rebellion
15. Kanye West-Graduation
16. Led Zeppelin-Led Zeppelin II
17. Limp Bizkit-Significant Other
18. Mos Def-Black On Both Sides
19. N.W.A-Straight Outta Compton
20. NaS-Illmatic
21. Pitchshiter- www.pitchshifter.com
22. The Postal Service Service-Give Up
23. The Presidents of the United States of America
24. Rob Zombie-Hellbilly Deluxe
25. The Stooges-Raw Power
26. A Tribe Called Quest-The Low End Theory
27. Jackson 5-Diana Ross Presents: The Jackson 5
28. Brother Ali-Us
Look at that list! Now if you thought that this preliminary thing packed a lot of punches, JUST WAIT TO SEE HOW UNPREDICTABLE MY TOP 25 IS!
Sunday, September 19, 2010
Ramblings #1
Hello all. I always have ideas for lengthy posts on this blog, but due to a combination of things (laziness and school) I never post them and they become irrelevant. However, I'd like to get a new thing going that can skim topics that are somewhat important and can be addressed further if interest is shown. So let's go!
Music:
-Listened to Hurley, the new Weezer album yesterday. Going to re-listen maybe tomorrow. A review for that may come. I am certainly motivated to write one for that album in particular.
-Also have the new Lordi album Babez for Breakfast sitting on my desk, along with DJ Muggs and Ill Bill's Kill Devil Hills. I don't know if I'll review those for this publication, but check out my Rate Your Music page for ratings for those albums as I listen to them.
Live Shows:
-Saw Biffy Clyro in the Studio @ Webster Hall in Union Square tonight. Fantastic performance. I've said it on Twitter and Facebook that the Biff is easily my favorite band right now. They are extremely talented, musically diverse and they rock really, hard. I finally picked up a concrete copy of their latest album Only Revolutions, which was my #2 album of last year. I am extremely glad to have made the purchase. Listen to Biffy if you don't, they are incredible.
-Next weekend is Hofstra's Alive at 75 festival which features Lisa Lisa, Sha Na Na, Fountains of Wayne, Trey Songz, Blue Oyster Cult and my #2 favorite rapper of all time Chuck D and Public Enemy. An exciting show.
-The Roots and John Legend are playing at Terminal 5 in a few weeks. I may make my way out to that show, as my roommate does the sound at that venue.
Wrestling:
-Matt Hardy is really digging his own grave, or is he? After being sent home from WWE's European tour, lying about it on Youtube, and sending cryptic tweets every 15 minutes, the man is on thin ice. But say he is released from WWE, what can he do that is really going to make all of this talk of "change" legitimate? A TNA run would basically set him up to be in Jeff's shadow again, an ROH run, while legitimate in the eyes of fans, would make him little money, an OMEGA reunion maybe? I don't know, and frankly I think WWE needs to be the ones to push him. If he leaves WWE for TNA that will not be a positive change. He needs to get in shape and prove to Vince and the suits that he can be the draw that Jeff was.
-Went to Ring of Honor's Glory By Honor IX last weekend and had a blast. I think myself and my good friend Corey Mack Nair had the worst seats in the house, but it was honestly the best ROH show I've been to.
-TNA is bad. I feel sad saying that because I do still support their product, as it is an alternative to WWE (on TV that I have access to until I can get HDNet). But it's really badly booked, the main event slots are interchangeable and mean nothing, and the roster is still way too big for its own good. I'm glad the wrestling is still okay, but I would love to see everything within the company equal out in quality to the wrestling.
Life:
-Life is okay. School is stressful, but it will yield many a reward. I am excited to finish, but a tad frightened of the real world. Not in a sense that I won't find a job, but in a sense that I won't have school to go back to.
-Eh.
Music:
-Listened to Hurley, the new Weezer album yesterday. Going to re-listen maybe tomorrow. A review for that may come. I am certainly motivated to write one for that album in particular.
-Also have the new Lordi album Babez for Breakfast sitting on my desk, along with DJ Muggs and Ill Bill's Kill Devil Hills. I don't know if I'll review those for this publication, but check out my Rate Your Music page for ratings for those albums as I listen to them.
Live Shows:
-Saw Biffy Clyro in the Studio @ Webster Hall in Union Square tonight. Fantastic performance. I've said it on Twitter and Facebook that the Biff is easily my favorite band right now. They are extremely talented, musically diverse and they rock really, hard. I finally picked up a concrete copy of their latest album Only Revolutions, which was my #2 album of last year. I am extremely glad to have made the purchase. Listen to Biffy if you don't, they are incredible.
-Next weekend is Hofstra's Alive at 75 festival which features Lisa Lisa, Sha Na Na, Fountains of Wayne, Trey Songz, Blue Oyster Cult and my #2 favorite rapper of all time Chuck D and Public Enemy. An exciting show.
-The Roots and John Legend are playing at Terminal 5 in a few weeks. I may make my way out to that show, as my roommate does the sound at that venue.
Wrestling:
-Matt Hardy is really digging his own grave, or is he? After being sent home from WWE's European tour, lying about it on Youtube, and sending cryptic tweets every 15 minutes, the man is on thin ice. But say he is released from WWE, what can he do that is really going to make all of this talk of "change" legitimate? A TNA run would basically set him up to be in Jeff's shadow again, an ROH run, while legitimate in the eyes of fans, would make him little money, an OMEGA reunion maybe? I don't know, and frankly I think WWE needs to be the ones to push him. If he leaves WWE for TNA that will not be a positive change. He needs to get in shape and prove to Vince and the suits that he can be the draw that Jeff was.
-Went to Ring of Honor's Glory By Honor IX last weekend and had a blast. I think myself and my good friend Corey Mack Nair had the worst seats in the house, but it was honestly the best ROH show I've been to.
-TNA is bad. I feel sad saying that because I do still support their product, as it is an alternative to WWE (on TV that I have access to until I can get HDNet). But it's really badly booked, the main event slots are interchangeable and mean nothing, and the roster is still way too big for its own good. I'm glad the wrestling is still okay, but I would love to see everything within the company equal out in quality to the wrestling.
Life:
-Life is okay. School is stressful, but it will yield many a reward. I am excited to finish, but a tad frightened of the real world. Not in a sense that I won't find a job, but in a sense that I won't have school to go back to.
-Eh.
Saturday, September 11, 2010
Good reads!
Hey guys, I just wanted to update really quick. I just got on Good Reads! A site that lets you review books and let the world know what your reading. I am not a literary mastermind, but much like I took to movies in high school and music in middle school, I would love to become well read as I am well watched and listened (is that proper?).
So here's my page:
http://www.goodreads.com/user/show/4273419-dave-winchell
I'm not going to go on and write reviews like I do on Rate Your Music because I'm not an expert. I'll maybe do a star rating and a sentence, but who am I to analyze the merits of classic novels?
So here's my page:
http://www.goodreads.com/user/show/4273419-dave-winchell
I'm not going to go on and write reviews like I do on Rate Your Music because I'm not an expert. I'll maybe do a star rating and a sentence, but who am I to analyze the merits of classic novels?
Sunday, August 29, 2010
End of the Summer Checklist
Okay I posted this checklist in the beginning of the summer of my personal goals for the coming months and now with just a few days before classes begin I feel as though it is the best time to go back and see how I fared...
1. Write in this blog more frequently.
Did that. Not as frequently as I may have liked, but I got a few good posts in.
2. Return to E-Fedding (don't know what that is, ask me)
Nope. Too busy.
3. Hike more and outside of Roosevelt
Nope. Stuck to Roosevelt.
4. Spend more time with my extended family
Yup. Circumstances weren't the greatest, but I got a lot of face time.
5. Visit Chicago to see my brother and cousin.
Nope. $$$.
6. Go to Yawgoog.
Nope. Work got in the way.
7. Camp somewhere that's not a 10 foot by 10 foot dirt patch.
Nope. $$$/Work got in the way.
8. Go mountain biking.
Nope. No working bike.
9. Find a legitimately good record store in CT that's not Cutlers.
Sort of, but didn't end up going to it.
10. Shoot a short or two.
Nope. No interest from friends.
11. Go to good concerts (already have 1 lined up).
Yup. Got to two great concerts. Faith No More and Zappa Plays Zappa. Also got to see Between the Buried and Me.
12. Play a gig.
Yup. Played 5 gigs bro!
13. Jam with people I've never jammed with before.
Yup. Did that.
Not too bad. Not great, but I think the ones I got were good ones to get. Onto life I guess!
1. Write in this blog more frequently.
Did that. Not as frequently as I may have liked, but I got a few good posts in.
2. Return to E-Fedding (don't know what that is, ask me)
Nope. Too busy.
3. Hike more and outside of Roosevelt
Nope. Stuck to Roosevelt.
4. Spend more time with my extended family
Yup. Circumstances weren't the greatest, but I got a lot of face time.
5. Visit Chicago to see my brother and cousin.
Nope. $$$.
6. Go to Yawgoog.
Nope. Work got in the way.
7. Camp somewhere that's not a 10 foot by 10 foot dirt patch.
Nope. $$$/Work got in the way.
8. Go mountain biking.
Nope. No working bike.
9. Find a legitimately good record store in CT that's not Cutlers.
Sort of, but didn't end up going to it.
10. Shoot a short or two.
Nope. No interest from friends.
11. Go to good concerts (already have 1 lined up).
Yup. Got to two great concerts. Faith No More and Zappa Plays Zappa. Also got to see Between the Buried and Me.
12. Play a gig.
Yup. Played 5 gigs bro!
13. Jam with people I've never jammed with before.
Yup. Did that.
Not too bad. Not great, but I think the ones I got were good ones to get. Onto life I guess!
Wednesday, August 25, 2010
BATTLE OF THE JAMS: Super-Rap Tracks
I have a new idea that has been sitting in my head for a long time. It is called BATTLE OF THE JAMS and it is rather simple. Take a series of songs that have some common factor and place them against each other. For what you ask? Nothing. Just sheer pride and the fun of the contest. I'm going to put this week up to a reader "vote" to see whether or not people actually read this blog/care enough to comment. So let's begin.
BATTLE OF THE JAMS #1: Super-Rap Tracks
In rap it seems as though guest verses are common. Many rap albums of today contain more songs with featured guests than without. That is a subject that can be talked about for hours and hours, but the bottom line is that the over use of guest spots takes away from the artist that made the song. However, there are a few tracks over the past few years that tout all star lineups. They feature grand gatherings of some of the greatest rappers alive. And even within this super sub-genre there are differences, and this my friends is where the battle begins.
TRACK ONE:
"Crack a Bottle" Eminem featuring Dr. Dre and 50 Cent
Hook/V1: Eminem
V2: Dr. Dre
V3: 50 Cent
The Pros: This was our first taste of Relapse era Eminem, and this song doesn't have that obnoxious brogue that he takes on for the rest of the album. Dre is a refreshing guest, while he's old, he's still somewhat relevant. 50 brings fun delivery with little depth to what he says, but then again the song doesn't ask for great depth.
The Cons: This is a party track, but the beat isn't that great of a party beat. I love the song, it just seems to work on the wrong level. It's a good song, it just doesn't bounce like the better party tracks.
TRACK TWO:
"Swagga Like Us" Kanye West, Lil' Wayne, Jay-Z, T.I.
Hook: M.I.A. (sampled)
V1: Kanye West
V2: Jay-Z
V3: Lil' Wayne
V4: T.I.
The Pros: This song is epic and blew up the idea of this super-track, spawning so many remixes and tweaks like Diddy's "Swagga Like Puff", but what this track does perfectly is allow all 4 rappers to just tell the world they are the best. When they performed this at the Grammy's they were referred to as The Rap Pack, and this foursome is definitely among the best 4 rappers to get radio play.
The Cons: The hook is so repetitive it's not funny. It's one line over and over with 4 great rappers seemingly sitting in the wings waiting for it to end. Kanye and Wayne having autotune on also takes away from their words, which is a tad disappointing.
TRACK THREE:
"Classic" Kanye West, Rakim, KRS One, NaS
V1: Rakim
V2: Kanye West
V3: NaS
V4: KRS One
The Pros: This is the thinking mans super track. At the time this song came out Kanye's ego was still in check to a certain degree, NaS was still relevant and KRS One and Rakim were where they are now, respected veterans. This is not a party track, but it has a catchier beat than the prior 2 songs. Lyrically it's solid, good verses all around.
The Cons: KRS One's verse urks me. While it's sound lyrically, its subject matter is just kind of boring. The other 3 rap well, but KRS comes in to close the track and has that like "The radio should play more local emcees!" like we haven't heard that a million times before. Also the fact that this track was done for Nike kind of makes it a tad more of a sellout track.
TRACK FOUR:
"Get Buck In Here" DJ Felli Fell, Akon, Diddy, Ludacris, Lil' Jon
Hook: Akon
V1/V3: Diddy
V2: Ludacris
End(?): Lil' Jon
The Pros: This song is a party song. The rappers on this aren't among the greats (aside from Ludacris in some peoples minds) and the subject matter is rather simple. It's incredibly catchy thanks to Akon on the hook, and Luda's verse is nicely put together. The breakdown thing at the end is awesome too, Lil' Jon just comes in and tears it down. Which is awesome.
The Cons: Diddy having two verses. Akon could've taken a verse or someone else more deserving could've followed Ludacris. No need for that much Diddy on the microphone anymore.
TRACK FIVE:
"Forever" Drake, Kanye West, Lil' Wayne, Eminem
Hook/V1: Drake
V2: Kanye West
V3: Lil' Wayne
V4: Eminem
The Pros: This song is intense. It takes what "Swagga Like Us" did and twisted it, making it more of a game of eager emcees rather than a sheer track of basting. Even though three of the four rappers on this track were hugely successful before it came out, they all bring fourth fresh verses that are supremely entertaining. The highlight comes at the final verse when Eminem comes in and just destroys everyone else following the weak Relapse. It showed us he still has what it takes behind the mic.
The Cons: Wayne seems to be coasting to a degree. Aside from that not too much to complain about.
VOTE: Let me know via twitter (@DH_Winchell) or comment on this blog what you think is the best of the five. I'll do the breakdown right now!
Crack A Bottle:
Swagga Like Us: 1
Classic:
Get Buck In Here:
Forever:
BATTLE OF THE JAMS #1: Super-Rap Tracks
In rap it seems as though guest verses are common. Many rap albums of today contain more songs with featured guests than without. That is a subject that can be talked about for hours and hours, but the bottom line is that the over use of guest spots takes away from the artist that made the song. However, there are a few tracks over the past few years that tout all star lineups. They feature grand gatherings of some of the greatest rappers alive. And even within this super sub-genre there are differences, and this my friends is where the battle begins.
TRACK ONE:
"Crack a Bottle" Eminem featuring Dr. Dre and 50 Cent
Hook/V1: Eminem
V2: Dr. Dre
V3: 50 Cent
The Pros: This was our first taste of Relapse era Eminem, and this song doesn't have that obnoxious brogue that he takes on for the rest of the album. Dre is a refreshing guest, while he's old, he's still somewhat relevant. 50 brings fun delivery with little depth to what he says, but then again the song doesn't ask for great depth.
The Cons: This is a party track, but the beat isn't that great of a party beat. I love the song, it just seems to work on the wrong level. It's a good song, it just doesn't bounce like the better party tracks.
TRACK TWO:
"Swagga Like Us" Kanye West, Lil' Wayne, Jay-Z, T.I.
Hook: M.I.A. (sampled)
V1: Kanye West
V2: Jay-Z
V3: Lil' Wayne
V4: T.I.
The Pros: This song is epic and blew up the idea of this super-track, spawning so many remixes and tweaks like Diddy's "Swagga Like Puff", but what this track does perfectly is allow all 4 rappers to just tell the world they are the best. When they performed this at the Grammy's they were referred to as The Rap Pack, and this foursome is definitely among the best 4 rappers to get radio play.
The Cons: The hook is so repetitive it's not funny. It's one line over and over with 4 great rappers seemingly sitting in the wings waiting for it to end. Kanye and Wayne having autotune on also takes away from their words, which is a tad disappointing.
TRACK THREE:
"Classic" Kanye West, Rakim, KRS One, NaS
V1: Rakim
V2: Kanye West
V3: NaS
V4: KRS One
The Pros: This is the thinking mans super track. At the time this song came out Kanye's ego was still in check to a certain degree, NaS was still relevant and KRS One and Rakim were where they are now, respected veterans. This is not a party track, but it has a catchier beat than the prior 2 songs. Lyrically it's solid, good verses all around.
The Cons: KRS One's verse urks me. While it's sound lyrically, its subject matter is just kind of boring. The other 3 rap well, but KRS comes in to close the track and has that like "The radio should play more local emcees!" like we haven't heard that a million times before. Also the fact that this track was done for Nike kind of makes it a tad more of a sellout track.
TRACK FOUR:
"Get Buck In Here" DJ Felli Fell, Akon, Diddy, Ludacris, Lil' Jon
Hook: Akon
V1/V3: Diddy
V2: Ludacris
End(?): Lil' Jon
The Pros: This song is a party song. The rappers on this aren't among the greats (aside from Ludacris in some peoples minds) and the subject matter is rather simple. It's incredibly catchy thanks to Akon on the hook, and Luda's verse is nicely put together. The breakdown thing at the end is awesome too, Lil' Jon just comes in and tears it down. Which is awesome.
The Cons: Diddy having two verses. Akon could've taken a verse or someone else more deserving could've followed Ludacris. No need for that much Diddy on the microphone anymore.
TRACK FIVE:
"Forever" Drake, Kanye West, Lil' Wayne, Eminem
Hook/V1: Drake
V2: Kanye West
V3: Lil' Wayne
V4: Eminem
The Pros: This song is intense. It takes what "Swagga Like Us" did and twisted it, making it more of a game of eager emcees rather than a sheer track of basting. Even though three of the four rappers on this track were hugely successful before it came out, they all bring fourth fresh verses that are supremely entertaining. The highlight comes at the final verse when Eminem comes in and just destroys everyone else following the weak Relapse. It showed us he still has what it takes behind the mic.
The Cons: Wayne seems to be coasting to a degree. Aside from that not too much to complain about.
VOTE: Let me know via twitter (@DH_Winchell) or comment on this blog what you think is the best of the five. I'll do the breakdown right now!
Crack A Bottle:
Swagga Like Us: 1
Classic:
Get Buck In Here:
Forever:
Tuesday, August 17, 2010
"Short Stories: Pheasant Fest Eleven
People have been whining about too much pro wrestling talk, not enough music, and the fact that my movie reviews are bad. So I've decided after much personal debate and a decision to throw my own self criticism away, that I'll post some of the prose and plays I've written and continue to write. Most of what you'll see over the next few weeks/months is stuff that was written for classes since that has been edited by legitimate writers.
FOREWARD: I wrote the following short story for my Art of Revision class second semester Junior Year. This draft is the 3rd of 4, so there are some minor grammatical issues as well as some brief things I'd like to change.
Pheasant Fest Eleven
I stared out the window onto the setting sun. It cast a nice arch of color onto the town skyline, Fort Royal, North Carolina. My birthplace, my home. Every single time I look out onto the setting sun I think for a second, not about the beauty of the sun setting, not about the science of what makes the sun glow and what makes night and day happen, but about life. It was going by and that sunset meant one more day was ending. One day closer to our deathbeds.
“It’s really that time of year already?” Buck said under his breath, calling my attention span back to the murky ammunition store.
“Damn right it is,” I tell him, “Pheasant-fest is the best night of the year.”
“Well how in the hell do you do Pheasant-fest when your brother moved up to god damn Yankee village three months ago?” Buck asked, unlocking a glass cabinet and removing two boxes of rifle ammunition.
I rub my hand on my chin slowly, stroking the ends of my moustache. “I don’t know. I go out with a gun and shoot me some pheasants.”
“Aw fuck you Harvey, you know what I mean. You think you’re creative enough to come up with Pheasant-fest by your own damn self?”
No, I wasn’t.
“Yeah, I came up with it.”
“No you didn’t you moron, it was in this store Marshall came up with idea when I told him that round this time of year the pheasants always feeding late at night.”
He got me, god damn Marshall coming up with these cool ideas in public places, taking all the credit.
“Well let me tell you something Buck,” I told him, “Tomorrow night when I have eaten a delicious pheasant for dinner and am wrapping up the leftovers, I’ll mail some to my Yankee traitor brother and you can write a love note to him and slip it in the package.”
Buck chuckled under his breath, “Yeah at least I have someone to send love notes too Harv, how long has it been since you had a little,“ he winked at me,.
Jesus man, if there is one time of the week that I always want to seem like my wit is sharper than it is, it’s when this fucker takes a stab at my love life.
“I don’t know, why don’t you ask your sister,” I said.
Wow, I’m funnier than I thought. I walked out of the store before he could come up with something that was worse. Not the first time I’d done it.
And so it always was at Buck’s Ammunition Station, I bought ammo there for huntin’, protectin’ the property and shootin’ cans in the yard. He’d always give me lip about one thing or another, but I think he was just jealous of me. But Pheasant-fest was indeed a special time of year. You see, when my brother was 20 and I was 18, we came up with the idea of it. The pheasants round this part of North Carolina have a three month period of the year when they feed at night, and not like one or two of them went out and grabbed some worms or something like that, but the whole herd, or flock, or whatever it is you call a bunch of birds. Marshall, decided that once a year, me and him would go out into the woods, and hunt as many pheasants as we could in one night and pack ‘em up tight and make ‘em last as long as we could. It went from a basic idea to a ritual, went from being whatever night we felt it should be, to the first full moon of May, you see the full moon makes it so we don’t even need flash lights aside from walking to and from my truck. It went from grabbing a six pack of beer at the truck stop to stashing some Sam Adams Winter Ale in my fridge from December all the way until May. It was pretty much the most bad ass thing that any human could do, aside from maybe stranglin’ a grizzly, which my Uncle Frank claims he did once. Bull shit I say.
Times have changed since the now legendary Pheasant-fest one. As Buck so clearly stated, my brother Marhall got a job in New York. He fixes planes. He used to do that out here, but the pay wasn’t very good and according to him there was no room for “growth.” When your job is tightening screws on the wing of a plane, how much growth can you expect to really have? I dunno, he up and left about three months ago to take a job where he’s being “properly utilized” as he said when he told me he accepted the job. He moved out of the small house we inherited from our grandpa and up to Albany. Now it’s just me. I do plumbing work mainly, a little carpentry when my neighbor needs some help and has a few bucks to toss me. I got a decent life overall, steady income, nice things, so on and so fourth. People keep asking me why I don’t have a wife, especially cause I live in a house that is very facilitating towards family. I say, “When the time comes my door is open.” Porn will keep me occupied until somebody knocks. I mean, who gets married and settles down at 29?
I picked up my cell phone and flipped it open. As I entered my contact list I scrolled down to the M section, right below my boss Mark, was Marshall. I felt like I was standing on Kate Hill’s porch before prom with my little pin-on flower. This is not a feeling I get often. Should I call him? Why hasn’t he called me? He’s the one missing out, so why am I the one holding the phone attempting to call his dumb ass? He couldn’t ask for time off at work or nothing? I closed the phone and put it back in my pocket and the butterflies that were dancing around inside me turned off the music and settled down. His loss.
I walked by the convenience store that I lost my virginity in, and the diner where my Dad got arrested for public drunkenness. The whole town was ageless to me. None of these places were ever gonna go out of business and it seemed like none of the people were going anywhere. Well, except for Marshall that is. I got down the street to where I parked my car, in front of the hardware store. That was my first job.
And out of the blue I saw a familiar face crawl out from the evening shadows dressed in torn jeans and a Fubu t-shirt. Do black people even wear Fubu anymore?
“Harv! Let me come with you, I know you want the company!”
It was the Colonel.
“No Colonel, you can not come to Pheasant-fest. This is a Moss family tradition.”
Colonel’s name wasn’t really Colonel. His name was Joe Sanders, and when we were like 15 someone called him Colonel Sanders and then slowly his god given last name was shaved from the nickname.
“Where’s the rest of your damn family then Moss?” he asked, sounding like a little girl.
“Shut up Colonel, go back to your little closet at the Y, you ain’t got no right askin’ to hang out with me when you can’t even afford to buy a hot meal.”
“Hey man, I’m a veteran! I fought in Afgahnistan! Not my fault people ain’t wanna hire me!”
“You got kicked out cause you kissed a dude.”
“So what?” he started flailing his arms like a queer, “I’m still one of your oldest friends!”
“Yeah okay, I have two rules for friends, rule one is you need to have a job, and rule two is you don’t canoodle with no other men. And if you break one you ain’t my friend, so you broke two so that means you’re doubly ain’t my friend.”
Colonel shook his head at me.
“Can I at least hitch a ride to the parting, it’s only a few miles from the Y, I lost my bus pass.”
I rolled my eyes. The Y was basically on the border of ours and the next town over. The forest was sort of a natural barrier separating our town from theirs and there were a few buildings scattered between the two. We sort of isolated ourselves off from the rest of the state. I never knew why, but there was probably good reason for it.
“Yeah but you ride in the bed, I don’t want no homo trying to interfere with my driving putting on his Pop 109.3 and dancing like you did last time I drove you somewhere.”
I dropped the bed hatch and Colonel hopped in, dangling his legs from the back like a fruit. Figures.
I got in the front door and revved the engine, I started driving and watched the little bitch scamper to the back of the bed and pull up the hatch like a pig runnin’ from the sound of a shotgun, or a pheasant runnin’ from the sound of a rifle. That one makes sense and kind of fits the situation. I’ve been trying to get better with my vocabulary and literary shit.
Seeing Colonel in the back of the bed reminded me of the days when me, him, my brother, and my brother’s friend Jack Evans would all ride in the back of my dad’s truck during the Memorial Day parade with our Native Scout headbands on. I shook my head a bit, shaking out those old times. For some odd reason for the weeks leading up to Marshall’s departure, the Colonel had starting popping up at bars, diners and church when we were there and he’d sit with us. Marshall always tried to stimulate conversation with him and include him. But me, I had no desire to. I mean he broke my rules! Well I only really made those rules because I wanted to keep him out of my face when he would go around asking for a cigarette or a couple of dollars for a milk shake. He wasn’t broke exactly, he just was living off of money his parents left him when they passed. It was enough to survive, but not in any great way. He could probably get out of the Y if he tried, but that homo-shellshock is probably keeping him there. Marshall asked him if he wanted to move into our house once he left, but I remember yelling so loud as soon as those words left his mouth that I was asked to politely leave. Apparently church picnics aren’t supposed to exceed a certain volume.
“Cherokee Hills Forest:” the famous sign said, with the flip-open one below it reading, “Hunting Season: Open.” I smiled and slowed the truck down, rollin’ down the window and stickin’ my head out of it.
“Hey Colonel, the bus stops here.” I hollered.
“Okay Harvey, I appreciate this a lot man. I hope that one day you and me can be friends like we was,” he started saying, “I know you and me don’t agree on certain things, and that I’ve broke your two rules-“
I pulled away before he could finish. He didn’t know I made up the rules for him. I’d never tell him either. My Dad always says that homos can do no good for the world. I don’t know if I really agree with that, but for right now it works.
And so I drove into the parking lot and stopped up at the gate. I turned off the radio and hit the shattered interior light to find that little envelope. “Cherokee Hills Gate Key” there it was. Buck had some connections that could get us in to do this whole pheasant thing, and five years in the guy bypassed Buck’s ammo store and ended up dropping the key off personally to the house. This shit was pretty serious, if you hadn’t gotten that impression by now.
For the first time ever I had to open the gate. This was Pheasant-fest eleven, and for the past ten I drove the truck and Marshall opened the gate. I kept the headlights on as I walked to the gate, stickin’ the key into the small lock and gently pushing open the gate. It swung open slowly, and it made a real eerie creeking sound as it swayed slowly. That was strange. I mean, it was Marshall’s job to open the gate and handle the key. It just started to hit me how different this was without my brother around. I started to tense up a little in my shoulders but figured that I couldn’t stop now because what would Buck and the Colonel and Marshall say if I told ‘em it felt wrong going into the forest. Buck would try and set me up on a date with the Colonel or something as a joke. It wouldn’t be the first time he tried it.
So I got back into the truck and parked in the lot nearby, taking my flashlight, the six pack, and my rifle out of my backseat. My old backpacking framed pack was in the bed, as was the ammo I had just bought. I eagerly yanked the pack out of the bed and loaded everything into the bottom compartment, you see the top was for carrying all the pheasant carcasses. Generally you fill a framed pack with enough shit for you to live off the land for a few days, but me, I preferred to throw in dead birds. I felt up the bottom zip up portion of the pack where I kept my butterfly knife to finish off the pheasants that didn’t quite die with the rifle. It was still there in one piece. Good to know that some things don’t up and leave.
And so I ventured off into the forest, walking slowly, since I knew the pheasants were about a half mile deep in. I popped open a Sam and sipped slowly as I hiked through. The moonlight was shining through the trees onto the path, giving it all a really serene look. The beer was good and the scenery was nice, but I had to admit, going without Marshall was a little bit different. I was starting to doubt whether or not there would be a Pheasant-fest 12.
About ten minutes later I sat down to finish off the beer that I had been idly holding and recycled the bottle back into my pack. I looked around the forest, I’d never really given it the once over, as the only other time of year I came around to Cherokee Hills was for the Fourth of July barbecue. The place really was a beautiful piece of nature, I should jog out here, god knows I was starting to get a beer gut.
Then I heard some slow pit pattering about 250 feet behind me, it seemed like it was on its way towards me. Was it a fox or a bear? Jeez, I didn’t pack any bandages. That was in Marshall’s pack. The steps got closer and closer, and I could hear whatever it was breathing, I retreated a bit into the brush, and I’m not gonna lie, I was a bit scared. The steps got louder as they got really close, I wanted to close my eyes, but I had to see what beast was marching down towards where the pheasants were, had to scope out my competition.
The sound got closer and I started to hear a repetitive clicking, what kinda animal clicks? A bird? Must be one big ass bird. It was well into the night now, probably around 9, and it was pretty dark out in the woods. This thing must be a predator looking for some sleeping squirrels or raccoons. Maybe I was about to see a Bigfoot or something. I held out my rifle as the steps got louder and louder, sweat started dripping into my eyes and I was saying some prayers in my head in case this sasquatch did indeed survive my bullet and come after me. I looked out of the brush and saw the silhouette of a beast. It started making some incoherent noise.
“This lighter sucks.”
I let out a breath loudly and the beast, a.k.a. Colonel jerked his head and nearly jumped out of his second hand boots, seemingly as surprised to see me as I was to see him.
“Harv! I’ve been looking for you!”
“Colonel what in the fuck are you doing out here?” I asked in an angry whisper.
“Harv I know what you’re going through!” he started to say to me.
“First off no you don’t, second don’t be so loud.”
He had a cigarette dangling from his mouth and was flicking his lighter to try and get it lit, it made a click sound as he tried and tried.
“Okay!” he said whispering, “But your brother abandoned you out here in the woods! All of my brothers in the army abandoned me when they heard…about my lifestyle! I can relate, I mean, why not?”
I rolled my eyes at him, but in the dark I doubt he saw my exaggerated gesture.
“Look Sanders, I appreciate the sentiment, but this ain’t workin’. You are a homeless, jobless, homo slob that disgraced our nations army and our graduating class, I mean how can I stand to be around you?”
“Harv, what I did was...bad. Well I mean, I suppose I went about it in the wrong way,” he started getting all sappy on me, “But come on man, we used to be real close. I knew I was gay in like sixth grade but that never stopped us from hanging out then!”
He had a point. While he hadn’t outright said it, in retrospect all of us did hang out with a queer our entire lives. I suppose maybe I had been a bit harsh on him. I mean he hiked all the way out from the parting.
“Okay Colonel, you can walk with me,” I told him. “But you’re only gettin’ one pheasant and I’m not dropping you off at the Y after.”
He grinned, his dirty teeth were in uniform with his unshaven face and long, dirty hair. I didn’t even bother to wait for a reaction, I just set down the trail.
“In the mountains we used to have to stay in groups of four,” he started talking, “One guy would have the 100 pound communication setup, another would have the 75 pound first aid equiptment, and the other two would have rations and ammunition.”
“Really?” I questioned him, to my surprise, “I always figured that everyone carried their own ammo and food.”
He shrugged his shoulders, “Well everyone has like a granola bar and two clips, but the two carriers would have like real meals and a backup weapon or two. But these were only for recon missions when we went looking for the big man himself.”
“What I would do to find that god damn mountain where that fucker is hiding from us, I would skin him faster than I do a chicken when I go to my Uncle’s house.”
“That’s why I enlisted,” he said, getting real serious, “It’s not like I’m some fag who hates America and wants to not have a job.”
I didn’t respond. Some say I am too quick to judge, even when facts are given. Colonel was not my kind of friend these days, but he was starting to appeal to the heart of me. I reached back and tried to pull another Sam from my pack, but I moved them when I put the bottle back before Colonel so pleasantly surprised me. He started unzipping the pack and he handed me a cold one and started to zip it back up.
“Take one.”
He did, and he popped it open and tipped the stem of the glass at me.
“For old times ‘eh?”
“Might as well.”
We sipped on the beers as we walked, he even carried my rifle for about 100 yards. And in front of me I saw it. The very first one, it looked like a small turkey without the long neck. I smiled, like a little girl, and the Colonel held out my rifle.
“No,” I sternly told him, “We let the first one we see keep on keepin’ on. He’s our omen.”
“Kinda grim, ain’t it?”
“No.”
As we approached the bird it fluttered it’s wings as it went pecking around in front of us, the game keeper had spread out some meat on the ground and this fella here had managed to take a hunk and get away from the flock. The smell of raw meat started to come at our nostrils, and I accepted my rifle from my old friend. My old friend? He can’t be my friend, so I guess emphasis on the old.
And then we saw it. Slabs of meat on the ground, there were dozens of pheasants scurrying around, some fluttering a few feet in the air trying to scare others away from their rightful piece of their dinner. I aimed slowly and carefully and then did what I did best.
Bang. Bang. Bang. Bang. Four shots. The pheasants flew away into the darkness and disappeared. On the ground five lay motionless, and a sixth scampered in a five foot circle trying to get away.
“Morbid,” Colonel started saying to me, “But beautiful.”
“Don’t get all analytical on me now Colonel, the job ain’t done yet.”
I laid down the pack and went to unzip the pouch with my knife, as I did so a small piece of paper fell out. Must’ve been a receipt from last year, for the beer or the ammo or something. I stuffed it into my pocket and went up to the struggling pheasant, swinging open the knife and closing in on my prey.
“Come on,” Colonel said, covering his eyes as I quickly slashed the birds throat, ending its life.
“Man up..” I told him, not even making the connection that he wasn’t a real “man.”
We stuffed the birds into separate garbage bags and tossed them in the backpack, cracking open two more beers as we parted back. Colonel even offered to carry the pack, and since my back was aching a bit, I let him.
“Man, we used to have to spend like seven hours a day crawling around in the sand trying to find a hole or cave where some terrorists were hiding,” Colonel said, “And we’d get nothing. We’d have to crawl back to base and then we would get scolded. All that work and no payoff. You come out here and literally shoot a gun four times and call it a successful outing.”
I chuckled, “Oh so now all of a sudden you’re Mr. Badass.”
This felt strange, I hadn’t actually given him the time of day since he came back from Afghanistan.
“Well clearly not, Mr. Badass wouldn’t get kicked out for putting the moves on his direct superior.”
I gagged and Colonel knew that meant he had to change the subject.
“So how’s Marshall doing these days?” he asked, realizing his own mistake.
“Eh, last I spoke with him he said it’s okay,” I said staring off into the dark, “He says the women in New York are more attractive and there are more of them.”
I was making sure this possibly awkward conversation didn’t go back to homo-ville.
“Yeah, well there are more of them I bet,” he said, “And it’s not like he knows all of them like we do out here. I mean it’s kind of awkward when the only singles club has all of the same people you used to throw sand at on the playground.”
I laughed at that one too, I’d forgotten Colonel’s sense of humor.
“That’s true, of all the girls I’ve been with over the past few years, only one of them didn’t go to school with us.”
“That’s why I chose to explore something else.”
I laughed at that too. Uncontrollably. Colonel smirked and we kept on walking. It was actually a fun walk back, except for the fact that some pheasant blood got on my new jeans.
“So that’s it?” he asked me as we closed in on the truck, “You shoot four times, drink four beers, and hope that you kill as many as you can?”
“Yeah, but with two rifles you end up taking out more than six. Our average was about 14.”
“That’s impressive,” the Colonel started, “So you’re a little under this year?”
“Yeah, but five should feed me,” I told him as we got close to the truck.
“Five?”
“Yeah, ones yours.”
The colonel gave me a look, not like he was in need of money to buy a meal. Not like he knew he was weirding me out. But like we just threw a Tootsie Roll off the side of my Dad’s truck and it hit some bully in the head and he was crying. A look like when I turned from the pitchers mound and saw him catch the fly ball that should’ve been thrown a strike.
And that’s how it ended, Colonel taking his pheasant and giving me his number at the Y, insisting that I take his number and call him if I wanted to go to the bar or needed a “wing-man.” He insisted that he could assist in getting me a date. And then he walked away, awkwardly carrying a dead animal over his shoulder.
I went home and threw the birds in the freezer in my garage. I walked inside and took off my jacket, taking out the game keepers key to give to him the next day and that receipt fell out with it. I opened it up to see how much the rate of ammo, or beer, whatever I had bought, had raised in the past year. But it wasn’t a receipt.
“Harv, If you are getting this note that means you needed to take out your knife because your shot sucks and you couldn’t kill the pheasants with your shooting skills alone. I know it’s gonna be awkward without me, but I guarantee while you are reading this I’m waiting up in my apartment thinking about Pheasant-fest 8, the one where we got 25 of them. I miss it, and I miss home a lot. I hope you don’t mind Colonel coming along with you, I told him to do whatever it took to fix things with you because I know if there’s one guy that can appreciate Pheasant-fest it’s our old buddy. Who cares if he’s gay? Call me tomorrow morning.
-Marsh
Dated February 15”
And slowly I realized that Marshall was the first pheasant of the night. The one that gets away alive. In our little town, no one leaves. We all come back, go to work, or to war in Colonel’s case, and follow our old Fort Royal routine. We were the ones eating the meat the game keeper kept out for us, and Marshall took it and ran. It was simple and it made sense. He knew what he was getting out of, and he tried to make sure life was good for all of us who were stuck in the meat pit. He even did his best to leave me with something to keep me going, a friend.
I took the crumpled “Inter-Faith Volleyball League” flier Colonel had given me out of my wallet and looked at the messy handwriting on the back. I flipped open my cell phone and hit the “New Contact” button.
AUTHOR'S NOTE: This story and I have a love-hate relationship. I hate it because I had to spend an entire semester whittling away at it. I love it because it's the one story I've written that has been whittled away at to the point where it says something. People in class told me that I had to have grown up down south and gone hunting to have written this way and they were all surprised I was a suburban Connecticutter. I've noticed the inconsistencies in the narrators dumb/smartness and that urks me. But all in all this is one of the better short stories I've written.
FOREWARD: I wrote the following short story for my Art of Revision class second semester Junior Year. This draft is the 3rd of 4, so there are some minor grammatical issues as well as some brief things I'd like to change.
Pheasant Fest Eleven
I stared out the window onto the setting sun. It cast a nice arch of color onto the town skyline, Fort Royal, North Carolina. My birthplace, my home. Every single time I look out onto the setting sun I think for a second, not about the beauty of the sun setting, not about the science of what makes the sun glow and what makes night and day happen, but about life. It was going by and that sunset meant one more day was ending. One day closer to our deathbeds.
“It’s really that time of year already?” Buck said under his breath, calling my attention span back to the murky ammunition store.
“Damn right it is,” I tell him, “Pheasant-fest is the best night of the year.”
“Well how in the hell do you do Pheasant-fest when your brother moved up to god damn Yankee village three months ago?” Buck asked, unlocking a glass cabinet and removing two boxes of rifle ammunition.
I rub my hand on my chin slowly, stroking the ends of my moustache. “I don’t know. I go out with a gun and shoot me some pheasants.”
“Aw fuck you Harvey, you know what I mean. You think you’re creative enough to come up with Pheasant-fest by your own damn self?”
No, I wasn’t.
“Yeah, I came up with it.”
“No you didn’t you moron, it was in this store Marshall came up with idea when I told him that round this time of year the pheasants always feeding late at night.”
He got me, god damn Marshall coming up with these cool ideas in public places, taking all the credit.
“Well let me tell you something Buck,” I told him, “Tomorrow night when I have eaten a delicious pheasant for dinner and am wrapping up the leftovers, I’ll mail some to my Yankee traitor brother and you can write a love note to him and slip it in the package.”
Buck chuckled under his breath, “Yeah at least I have someone to send love notes too Harv, how long has it been since you had a little,“ he winked at me,.
Jesus man, if there is one time of the week that I always want to seem like my wit is sharper than it is, it’s when this fucker takes a stab at my love life.
“I don’t know, why don’t you ask your sister,” I said.
Wow, I’m funnier than I thought. I walked out of the store before he could come up with something that was worse. Not the first time I’d done it.
And so it always was at Buck’s Ammunition Station, I bought ammo there for huntin’, protectin’ the property and shootin’ cans in the yard. He’d always give me lip about one thing or another, but I think he was just jealous of me. But Pheasant-fest was indeed a special time of year. You see, when my brother was 20 and I was 18, we came up with the idea of it. The pheasants round this part of North Carolina have a three month period of the year when they feed at night, and not like one or two of them went out and grabbed some worms or something like that, but the whole herd, or flock, or whatever it is you call a bunch of birds. Marshall, decided that once a year, me and him would go out into the woods, and hunt as many pheasants as we could in one night and pack ‘em up tight and make ‘em last as long as we could. It went from a basic idea to a ritual, went from being whatever night we felt it should be, to the first full moon of May, you see the full moon makes it so we don’t even need flash lights aside from walking to and from my truck. It went from grabbing a six pack of beer at the truck stop to stashing some Sam Adams Winter Ale in my fridge from December all the way until May. It was pretty much the most bad ass thing that any human could do, aside from maybe stranglin’ a grizzly, which my Uncle Frank claims he did once. Bull shit I say.
Times have changed since the now legendary Pheasant-fest one. As Buck so clearly stated, my brother Marhall got a job in New York. He fixes planes. He used to do that out here, but the pay wasn’t very good and according to him there was no room for “growth.” When your job is tightening screws on the wing of a plane, how much growth can you expect to really have? I dunno, he up and left about three months ago to take a job where he’s being “properly utilized” as he said when he told me he accepted the job. He moved out of the small house we inherited from our grandpa and up to Albany. Now it’s just me. I do plumbing work mainly, a little carpentry when my neighbor needs some help and has a few bucks to toss me. I got a decent life overall, steady income, nice things, so on and so fourth. People keep asking me why I don’t have a wife, especially cause I live in a house that is very facilitating towards family. I say, “When the time comes my door is open.” Porn will keep me occupied until somebody knocks. I mean, who gets married and settles down at 29?
I picked up my cell phone and flipped it open. As I entered my contact list I scrolled down to the M section, right below my boss Mark, was Marshall. I felt like I was standing on Kate Hill’s porch before prom with my little pin-on flower. This is not a feeling I get often. Should I call him? Why hasn’t he called me? He’s the one missing out, so why am I the one holding the phone attempting to call his dumb ass? He couldn’t ask for time off at work or nothing? I closed the phone and put it back in my pocket and the butterflies that were dancing around inside me turned off the music and settled down. His loss.
I walked by the convenience store that I lost my virginity in, and the diner where my Dad got arrested for public drunkenness. The whole town was ageless to me. None of these places were ever gonna go out of business and it seemed like none of the people were going anywhere. Well, except for Marshall that is. I got down the street to where I parked my car, in front of the hardware store. That was my first job.
And out of the blue I saw a familiar face crawl out from the evening shadows dressed in torn jeans and a Fubu t-shirt. Do black people even wear Fubu anymore?
“Harv! Let me come with you, I know you want the company!”
It was the Colonel.
“No Colonel, you can not come to Pheasant-fest. This is a Moss family tradition.”
Colonel’s name wasn’t really Colonel. His name was Joe Sanders, and when we were like 15 someone called him Colonel Sanders and then slowly his god given last name was shaved from the nickname.
“Where’s the rest of your damn family then Moss?” he asked, sounding like a little girl.
“Shut up Colonel, go back to your little closet at the Y, you ain’t got no right askin’ to hang out with me when you can’t even afford to buy a hot meal.”
“Hey man, I’m a veteran! I fought in Afgahnistan! Not my fault people ain’t wanna hire me!”
“You got kicked out cause you kissed a dude.”
“So what?” he started flailing his arms like a queer, “I’m still one of your oldest friends!”
“Yeah okay, I have two rules for friends, rule one is you need to have a job, and rule two is you don’t canoodle with no other men. And if you break one you ain’t my friend, so you broke two so that means you’re doubly ain’t my friend.”
Colonel shook his head at me.
“Can I at least hitch a ride to the parting, it’s only a few miles from the Y, I lost my bus pass.”
I rolled my eyes. The Y was basically on the border of ours and the next town over. The forest was sort of a natural barrier separating our town from theirs and there were a few buildings scattered between the two. We sort of isolated ourselves off from the rest of the state. I never knew why, but there was probably good reason for it.
“Yeah but you ride in the bed, I don’t want no homo trying to interfere with my driving putting on his Pop 109.3 and dancing like you did last time I drove you somewhere.”
I dropped the bed hatch and Colonel hopped in, dangling his legs from the back like a fruit. Figures.
I got in the front door and revved the engine, I started driving and watched the little bitch scamper to the back of the bed and pull up the hatch like a pig runnin’ from the sound of a shotgun, or a pheasant runnin’ from the sound of a rifle. That one makes sense and kind of fits the situation. I’ve been trying to get better with my vocabulary and literary shit.
Seeing Colonel in the back of the bed reminded me of the days when me, him, my brother, and my brother’s friend Jack Evans would all ride in the back of my dad’s truck during the Memorial Day parade with our Native Scout headbands on. I shook my head a bit, shaking out those old times. For some odd reason for the weeks leading up to Marshall’s departure, the Colonel had starting popping up at bars, diners and church when we were there and he’d sit with us. Marshall always tried to stimulate conversation with him and include him. But me, I had no desire to. I mean he broke my rules! Well I only really made those rules because I wanted to keep him out of my face when he would go around asking for a cigarette or a couple of dollars for a milk shake. He wasn’t broke exactly, he just was living off of money his parents left him when they passed. It was enough to survive, but not in any great way. He could probably get out of the Y if he tried, but that homo-shellshock is probably keeping him there. Marshall asked him if he wanted to move into our house once he left, but I remember yelling so loud as soon as those words left his mouth that I was asked to politely leave. Apparently church picnics aren’t supposed to exceed a certain volume.
“Cherokee Hills Forest:” the famous sign said, with the flip-open one below it reading, “Hunting Season: Open.” I smiled and slowed the truck down, rollin’ down the window and stickin’ my head out of it.
“Hey Colonel, the bus stops here.” I hollered.
“Okay Harvey, I appreciate this a lot man. I hope that one day you and me can be friends like we was,” he started saying, “I know you and me don’t agree on certain things, and that I’ve broke your two rules-“
I pulled away before he could finish. He didn’t know I made up the rules for him. I’d never tell him either. My Dad always says that homos can do no good for the world. I don’t know if I really agree with that, but for right now it works.
And so I drove into the parking lot and stopped up at the gate. I turned off the radio and hit the shattered interior light to find that little envelope. “Cherokee Hills Gate Key” there it was. Buck had some connections that could get us in to do this whole pheasant thing, and five years in the guy bypassed Buck’s ammo store and ended up dropping the key off personally to the house. This shit was pretty serious, if you hadn’t gotten that impression by now.
For the first time ever I had to open the gate. This was Pheasant-fest eleven, and for the past ten I drove the truck and Marshall opened the gate. I kept the headlights on as I walked to the gate, stickin’ the key into the small lock and gently pushing open the gate. It swung open slowly, and it made a real eerie creeking sound as it swayed slowly. That was strange. I mean, it was Marshall’s job to open the gate and handle the key. It just started to hit me how different this was without my brother around. I started to tense up a little in my shoulders but figured that I couldn’t stop now because what would Buck and the Colonel and Marshall say if I told ‘em it felt wrong going into the forest. Buck would try and set me up on a date with the Colonel or something as a joke. It wouldn’t be the first time he tried it.
So I got back into the truck and parked in the lot nearby, taking my flashlight, the six pack, and my rifle out of my backseat. My old backpacking framed pack was in the bed, as was the ammo I had just bought. I eagerly yanked the pack out of the bed and loaded everything into the bottom compartment, you see the top was for carrying all the pheasant carcasses. Generally you fill a framed pack with enough shit for you to live off the land for a few days, but me, I preferred to throw in dead birds. I felt up the bottom zip up portion of the pack where I kept my butterfly knife to finish off the pheasants that didn’t quite die with the rifle. It was still there in one piece. Good to know that some things don’t up and leave.
And so I ventured off into the forest, walking slowly, since I knew the pheasants were about a half mile deep in. I popped open a Sam and sipped slowly as I hiked through. The moonlight was shining through the trees onto the path, giving it all a really serene look. The beer was good and the scenery was nice, but I had to admit, going without Marshall was a little bit different. I was starting to doubt whether or not there would be a Pheasant-fest 12.
About ten minutes later I sat down to finish off the beer that I had been idly holding and recycled the bottle back into my pack. I looked around the forest, I’d never really given it the once over, as the only other time of year I came around to Cherokee Hills was for the Fourth of July barbecue. The place really was a beautiful piece of nature, I should jog out here, god knows I was starting to get a beer gut.
Then I heard some slow pit pattering about 250 feet behind me, it seemed like it was on its way towards me. Was it a fox or a bear? Jeez, I didn’t pack any bandages. That was in Marshall’s pack. The steps got closer and closer, and I could hear whatever it was breathing, I retreated a bit into the brush, and I’m not gonna lie, I was a bit scared. The steps got louder as they got really close, I wanted to close my eyes, but I had to see what beast was marching down towards where the pheasants were, had to scope out my competition.
The sound got closer and I started to hear a repetitive clicking, what kinda animal clicks? A bird? Must be one big ass bird. It was well into the night now, probably around 9, and it was pretty dark out in the woods. This thing must be a predator looking for some sleeping squirrels or raccoons. Maybe I was about to see a Bigfoot or something. I held out my rifle as the steps got louder and louder, sweat started dripping into my eyes and I was saying some prayers in my head in case this sasquatch did indeed survive my bullet and come after me. I looked out of the brush and saw the silhouette of a beast. It started making some incoherent noise.
“This lighter sucks.”
I let out a breath loudly and the beast, a.k.a. Colonel jerked his head and nearly jumped out of his second hand boots, seemingly as surprised to see me as I was to see him.
“Harv! I’ve been looking for you!”
“Colonel what in the fuck are you doing out here?” I asked in an angry whisper.
“Harv I know what you’re going through!” he started to say to me.
“First off no you don’t, second don’t be so loud.”
He had a cigarette dangling from his mouth and was flicking his lighter to try and get it lit, it made a click sound as he tried and tried.
“Okay!” he said whispering, “But your brother abandoned you out here in the woods! All of my brothers in the army abandoned me when they heard…about my lifestyle! I can relate, I mean, why not?”
I rolled my eyes at him, but in the dark I doubt he saw my exaggerated gesture.
“Look Sanders, I appreciate the sentiment, but this ain’t workin’. You are a homeless, jobless, homo slob that disgraced our nations army and our graduating class, I mean how can I stand to be around you?”
“Harv, what I did was...bad. Well I mean, I suppose I went about it in the wrong way,” he started getting all sappy on me, “But come on man, we used to be real close. I knew I was gay in like sixth grade but that never stopped us from hanging out then!”
He had a point. While he hadn’t outright said it, in retrospect all of us did hang out with a queer our entire lives. I suppose maybe I had been a bit harsh on him. I mean he hiked all the way out from the parting.
“Okay Colonel, you can walk with me,” I told him. “But you’re only gettin’ one pheasant and I’m not dropping you off at the Y after.”
He grinned, his dirty teeth were in uniform with his unshaven face and long, dirty hair. I didn’t even bother to wait for a reaction, I just set down the trail.
“In the mountains we used to have to stay in groups of four,” he started talking, “One guy would have the 100 pound communication setup, another would have the 75 pound first aid equiptment, and the other two would have rations and ammunition.”
“Really?” I questioned him, to my surprise, “I always figured that everyone carried their own ammo and food.”
He shrugged his shoulders, “Well everyone has like a granola bar and two clips, but the two carriers would have like real meals and a backup weapon or two. But these were only for recon missions when we went looking for the big man himself.”
“What I would do to find that god damn mountain where that fucker is hiding from us, I would skin him faster than I do a chicken when I go to my Uncle’s house.”
“That’s why I enlisted,” he said, getting real serious, “It’s not like I’m some fag who hates America and wants to not have a job.”
I didn’t respond. Some say I am too quick to judge, even when facts are given. Colonel was not my kind of friend these days, but he was starting to appeal to the heart of me. I reached back and tried to pull another Sam from my pack, but I moved them when I put the bottle back before Colonel so pleasantly surprised me. He started unzipping the pack and he handed me a cold one and started to zip it back up.
“Take one.”
He did, and he popped it open and tipped the stem of the glass at me.
“For old times ‘eh?”
“Might as well.”
We sipped on the beers as we walked, he even carried my rifle for about 100 yards. And in front of me I saw it. The very first one, it looked like a small turkey without the long neck. I smiled, like a little girl, and the Colonel held out my rifle.
“No,” I sternly told him, “We let the first one we see keep on keepin’ on. He’s our omen.”
“Kinda grim, ain’t it?”
“No.”
As we approached the bird it fluttered it’s wings as it went pecking around in front of us, the game keeper had spread out some meat on the ground and this fella here had managed to take a hunk and get away from the flock. The smell of raw meat started to come at our nostrils, and I accepted my rifle from my old friend. My old friend? He can’t be my friend, so I guess emphasis on the old.
And then we saw it. Slabs of meat on the ground, there were dozens of pheasants scurrying around, some fluttering a few feet in the air trying to scare others away from their rightful piece of their dinner. I aimed slowly and carefully and then did what I did best.
Bang. Bang. Bang. Bang. Four shots. The pheasants flew away into the darkness and disappeared. On the ground five lay motionless, and a sixth scampered in a five foot circle trying to get away.
“Morbid,” Colonel started saying to me, “But beautiful.”
“Don’t get all analytical on me now Colonel, the job ain’t done yet.”
I laid down the pack and went to unzip the pouch with my knife, as I did so a small piece of paper fell out. Must’ve been a receipt from last year, for the beer or the ammo or something. I stuffed it into my pocket and went up to the struggling pheasant, swinging open the knife and closing in on my prey.
“Come on,” Colonel said, covering his eyes as I quickly slashed the birds throat, ending its life.
“Man up..” I told him, not even making the connection that he wasn’t a real “man.”
We stuffed the birds into separate garbage bags and tossed them in the backpack, cracking open two more beers as we parted back. Colonel even offered to carry the pack, and since my back was aching a bit, I let him.
“Man, we used to have to spend like seven hours a day crawling around in the sand trying to find a hole or cave where some terrorists were hiding,” Colonel said, “And we’d get nothing. We’d have to crawl back to base and then we would get scolded. All that work and no payoff. You come out here and literally shoot a gun four times and call it a successful outing.”
I chuckled, “Oh so now all of a sudden you’re Mr. Badass.”
This felt strange, I hadn’t actually given him the time of day since he came back from Afghanistan.
“Well clearly not, Mr. Badass wouldn’t get kicked out for putting the moves on his direct superior.”
I gagged and Colonel knew that meant he had to change the subject.
“So how’s Marshall doing these days?” he asked, realizing his own mistake.
“Eh, last I spoke with him he said it’s okay,” I said staring off into the dark, “He says the women in New York are more attractive and there are more of them.”
I was making sure this possibly awkward conversation didn’t go back to homo-ville.
“Yeah, well there are more of them I bet,” he said, “And it’s not like he knows all of them like we do out here. I mean it’s kind of awkward when the only singles club has all of the same people you used to throw sand at on the playground.”
I laughed at that one too, I’d forgotten Colonel’s sense of humor.
“That’s true, of all the girls I’ve been with over the past few years, only one of them didn’t go to school with us.”
“That’s why I chose to explore something else.”
I laughed at that too. Uncontrollably. Colonel smirked and we kept on walking. It was actually a fun walk back, except for the fact that some pheasant blood got on my new jeans.
“So that’s it?” he asked me as we closed in on the truck, “You shoot four times, drink four beers, and hope that you kill as many as you can?”
“Yeah, but with two rifles you end up taking out more than six. Our average was about 14.”
“That’s impressive,” the Colonel started, “So you’re a little under this year?”
“Yeah, but five should feed me,” I told him as we got close to the truck.
“Five?”
“Yeah, ones yours.”
The colonel gave me a look, not like he was in need of money to buy a meal. Not like he knew he was weirding me out. But like we just threw a Tootsie Roll off the side of my Dad’s truck and it hit some bully in the head and he was crying. A look like when I turned from the pitchers mound and saw him catch the fly ball that should’ve been thrown a strike.
And that’s how it ended, Colonel taking his pheasant and giving me his number at the Y, insisting that I take his number and call him if I wanted to go to the bar or needed a “wing-man.” He insisted that he could assist in getting me a date. And then he walked away, awkwardly carrying a dead animal over his shoulder.
I went home and threw the birds in the freezer in my garage. I walked inside and took off my jacket, taking out the game keepers key to give to him the next day and that receipt fell out with it. I opened it up to see how much the rate of ammo, or beer, whatever I had bought, had raised in the past year. But it wasn’t a receipt.
“Harv, If you are getting this note that means you needed to take out your knife because your shot sucks and you couldn’t kill the pheasants with your shooting skills alone. I know it’s gonna be awkward without me, but I guarantee while you are reading this I’m waiting up in my apartment thinking about Pheasant-fest 8, the one where we got 25 of them. I miss it, and I miss home a lot. I hope you don’t mind Colonel coming along with you, I told him to do whatever it took to fix things with you because I know if there’s one guy that can appreciate Pheasant-fest it’s our old buddy. Who cares if he’s gay? Call me tomorrow morning.
-Marsh
Dated February 15”
And slowly I realized that Marshall was the first pheasant of the night. The one that gets away alive. In our little town, no one leaves. We all come back, go to work, or to war in Colonel’s case, and follow our old Fort Royal routine. We were the ones eating the meat the game keeper kept out for us, and Marshall took it and ran. It was simple and it made sense. He knew what he was getting out of, and he tried to make sure life was good for all of us who were stuck in the meat pit. He even did his best to leave me with something to keep me going, a friend.
I took the crumpled “Inter-Faith Volleyball League” flier Colonel had given me out of my wallet and looked at the messy handwriting on the back. I flipped open my cell phone and hit the “New Contact” button.
AUTHOR'S NOTE: This story and I have a love-hate relationship. I hate it because I had to spend an entire semester whittling away at it. I love it because it's the one story I've written that has been whittled away at to the point where it says something. People in class told me that I had to have grown up down south and gone hunting to have written this way and they were all surprised I was a suburban Connecticutter. I've noticed the inconsistencies in the narrators dumb/smartness and that urks me. But all in all this is one of the better short stories I've written.
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