Best of 2010: The Let Down's and Honorable Mention's

The end is here...odd to say. Sadly I didn't make it through all 78 albums, but I made it through most of them, and have my list compiled and am working through it. To give you a taste for what may be on it and what definitely won't be, here are this year's let down's and honorable mentions!

The Let Down's:
Every year there are albums that disappoint. These are the albums that disappointed me...



1. Sleigh Bells- Treats: I was promised great things with Sleigh Bells. Noise-pop with an upbeat chick and a one-time metal drummer. I mean how cool of a combination is that? The problem is that the one-time metal drummer’s mixing is ridiculous. Some people like it, a lot of people actually, but by track 3 or 4 my head was about to fall off from the noise and I was not having a good time. I don’t doubt the group can make a great album, I just feel like their current formula is a bit painful to the ears.

2. Nicki Minaj- Pink Friday: Minaj did a lot of boasting this year, gaining the most attention from her showstopping verse on Kanye West’s “Monster” overshadowing West and Jay-Z. However, her album is an odd mix of pop, R&B and hip-hop. There are a few tracks, notably “Roman’s Revenge” with Eminem, that showcase the Minaj that bragged about making a million off of a mixtape. While it’s certainly not bad to rap about diverse things, it’s just when you’re really good at one thing and not so good at other’s, stick to what you’re good at. The song with will.i.am that samples "Video Killed the Radio Star" is near impossible to listen to.

3. M.I.A.- Maya (I’m not going to justify that whole slash thing): M.I.A. had the world on a silver platter following the huge success of Kala, an album that hit #4 on my Best of 2007 list, and its breakout single “Paper Plans”. But what did Maya do? Listened to too much Nine Inch Nails and pretended like she could do whatever she wanted without consequence. Well, the world is paying the price, having wasted 40 minutes listening to Maya.

4. Cee-Lo Green-The Lady Killer: This album is not bad, just not nearly as good as it could’ve been. While I haven’t dived into his prior solo work or the Goodie Mob discography, the two Gnarls Barkley albums are really awesome, and following “Fuck You” everyone expected this album to be a snarky, catchy look at the life of the titular Lady Killer. Instead it’s a run of the mill funky throwback album. “Fuck You” and the bonus track “Love Gun” (NOT a Kiss cover) are the only two that really stood out.


Now to the more positive...
Honorable Mentions:
Those albums that are good, but not quite good enough.



1. Die Antwoord- $O$: I don’t know South African culture, so I don’t know if every rap group over there sounds like Die Antwoord, but the Zef trio to me is one of the most innovative groups of the year. The rapping is strangely diverse, kind of goofy, and at the end of the day really sharp and potent. What brings this album down is just how zany it is. Sometimes the concepts fall flat, so more consistency in a follow-up release is certainly doable.

2. MGMT-Congratulations: Oracular Spectacular took its toll on me. I got really sick of the singles, and the rest of the album kind of fell flat, so I was really skeptical about Congratulations. I was quite surprised when I got around to listen to it, I felt like I was listening to an entirely new band. While a lot of bands have gotten big off of one sound (think how “Fly” by Sugar Ray changed their sound) MGMT opted to do what they wanted to rather than go for the guaranteed paycheck. The album’s not a classic, but it’s a fun listen and it shows guts to do what they did.

3. Johnny Cash- American VI: Ain’t No Grave: Cash’s American series is one of the most interesting and incredible career shifts of all time. Sort of like the Bill Murray of music, Cash changed his direction from the classic country sound to a grim, earthy, heartfelt sound that oftentimes showed awareness that death was looming around the corner. The aptly titled Ain’t No Grave is the last of the recordings done during the American V: A Hundred Highways sessions and while it may be considered a b-sides album, it contains some really good tunes that prove that up until the end Cash was on his game.

4. John Legend and The Roots-Wake Up!: When I saw a poster for this album, I thought it was a joke. Released mere months after the Roots’ How I Got Over, Wake Up! is an odd album to categorize. Legend is a modern R&B crooner and the Roots are a politically aware and highly influential hip-hop band. And when they are put together we get…a funk/soul album of covers of Curtis Mayfield, Marvin Gaye and other classic soul groups? I don’t love this album, but considering the haste in which is was made, promoted and released, I respect the grind put in by Legend and the Roots.

Keep your eyes on your Twitter feed because the list is coming soon!

Hey check this out!

I'm listening to albums from 2010, and to keep occupied, I'm compiling albums on my Rate Your Music page into lists. Check out this first one, my All Inclusive Look at the man, myth, legend Mike Patton.

http://rateyourmusic.com/list/DWinch/mike_patton__the_all_inclusive_look

Enjoy! And keep checking back!

My Listening of 2010

Ladies and gentlemen, we are in December, and thusly it is time to start reflecting on the year in music. Now, unlike so many respectable blogs, I give myself until the very end of the month to listen, re-listen and pick apart albums. But I like to give the lovely 3 or 4 readers of this blog an idea of what they have to choose from. I thought I didn't have much music from this lovely year, but upon making a playlist on iTunes of 2010 music I found close to 1,100 songs from the year! Here is a full list of albums I have (not all I have listened to 2 or 3 times) so this is what is contributing to my list...

1. Andrew W.K.-Mother of Mankind
2. B.o.B-The Adventures of Bobby Ray
3. B.o.B-May 25th
4. Biffy Clyro-iTunes Festival: London 2010
5. Big Boi-Sir Lucious Left Foot: The Son of Chico Dusty
6. The Black Keys-Brothers
7. Brandon Boyd-The Wild Trapeze
8. Broken Bells-Broken Bells
9. Carole King & James Taylor-Live At The Troubadour
10. Cee-Lo Green-The Lady Killer
11. Chris Webby-The Underclassmen
12. The Cool Kids-Tacklebox
13. Cypress Hill-Rise Up
14. Daft Punk-Tron Legacy
15. The Dead Weather-Sea of Cowards
16. Devo-Something for Everybody
17. Die Antwoord- $O$
18. The Dillinger Escape Plan-Option Paralysis
19. DJ Muggs VS Ill Bill-Kill Devil Hills
20. Drake-Thank Me Later
21. El-P-Weareallgoingtoburninhellmegamixxx Vol. 3
22. Elvis Costello-National Ransom
23. Eminem-Recovery
24. Girl Talk-All Day
25. Go Hard Or Go Homeless-Go Hard Or Go Homeless LP
26. Gorillaz-Plastic Beach
27. Infant Sorrow-Get Him To The Greek
28. Janelle Monae-The Archandroid
29. John Legend & The Roots-Wake Up!
30. Johnny Cash-American VI: Ain’t No Grave
31. Kanye West-My Beautiful Dark Twisted Fantasy
32. Kanye West-VH1 Storytellers
33. Katy Perry-Teenage Dream
34. Kid Cudi-Man On The Moon II: The Legend of Mr. Rager
35. Kingfisher-Wizards n’ Stuff
36. LCD Soundsystem-This Is Happening
37. Lil’ Wayne- I Am Not A Human Being
38. Lil’ Wayne-Rebirth
39. Lordi- Babez for Breakfast
40. M.I.A.- /\/\ /\ Y /\
41. Mark Ronson & The Business Intl.-Record Collection
42. Method Man, Ghostface Killah & Raekwon-Wu-Massacre
43. MGMT-Congratulations
44. Mike Falzone-In Between Couch Cushions
45. Mike Patton-Mondo Cane
46. Mumford & Sons- Sigh No More
47. My Chemical Romance-Danger Days: The True Lives of the Fabulous Killjoys
48. N.E.R.D-Nothing
49. NaS & Damian Marley-Distant Relatives
50. Nicki Minaj-Pink Friday
51. OK Go-Of The Blue Colour of the Sky
52. Primus- June 2010 Rehearsal
53. Rhymfest-El Che
54. Rob Zombie- Hellbilly Deluxe 2
55. Robyn-Body Talk Pt. 2
56. The Roots-How I Got Over
57. Sharon Jones & The Dap Kings-I Learned The Hard Way
58. Sleigh Bells-Treats
59. Street Sweeper Social Club-The Ghetto Blaster
60. Streetlight Manifesto-99 Songs of Revolution: Volume 1
61. Tiger Riot-Look Up!
62. Travie McCoy-Lazarus
63. Trey Songz-Passion, Pain and Pleasure
64. Vampire Weekend-Contra
65. Wale-More About Nothing
66. Weezer-Death to False Metal
67. Weezer-Hurley
68. Wiz Khalifa-Kush & Orange Juice
69. Wu-Tang Vs. The Beatles-Enter The Magical Mystery Chambers
70. You Suck-The Mixtape That’s Fun To Listen To
71. You Suck-You Guys Like Hip Hop
72. Various Artists-Crazy Heart
73. Various Artists- HBO Presents: How To Make It In America
74. Various Artists-Scott Pilgrim Vs. The World
76. Rick Ross-Teflon Don
77. Arcade Fire-The Suburbs
78. T.I.-No Mercy


So...that's it.

Top 25 Albums of All Time Part V!: #5-1

I apologize for the extreme lateness of this! I have been a busy little beaver for the past month and I have finally taken the time to finish this up. Enjoy it!

5. Primus- Frizzle Fry



Primus is without question my favorite band of all time. I remember getting into them my freshman year of high school, and I have not stopped loving their music since. This album, to me, is the pinnacle of what Primus is capable of and that’s why it’s so wonderful. Any smart music fan knows the band is an outlet for bass virtuoso Les Claypool to basically bother people with how good he is, and on much of his material he shows off nonstop. But on Frizzle Fry, I love the fact that Larry LaLonde’s awesome guitar licks and Tim “Herb” Alexander’s incredible drums are prominently featured. Tracks like “Spaghetti Western” and the titular “Frizzle Fry” would not pack the same punch without Herb’s drumming and Ler’s guitar writhes in and out of Claypool’s eccentric basslines with ease. I think that any band driven by one person ends up losing credibility because the secondary musicians seem to fall behind the one mans incredible playing (i.e. Van Halen, the Jimi Hendrix Experience, The Police) but Primus is definitely a full band ordeal that would not be the same without this prime lineup. Their later albums The Brown Album and Antipop are certainly proof of that.



4. Wu-Tang Clan- Enter the Wu-Tang (36 Chambers)



The greatest hip-hop album ever put together by the greatest hip-hop entity ever put together. The Wu-Tang Clan changed not only the way I looked at hip-hop, but how I looked at music as a whole. This album is a work of art, put together by nine individuals. And not only is it one of those albums that launched careers of its group members (most notably Method Man, Ol’ Dirty Bastard, the RZA and Ghostface Killah) but it’s one of those albums that can stand alone and be enjoyed front to back. It constantly switches from a metaphoric world to one that really exists, the Kung-Fu world of the Wu-Tang representing the urban Staten Island, and then with the snap of a finger we are amidst the Clan in Staten rapping about cash ruling everything around them (cream get the money, dollar dollar bills ya’all). I can rap through this entire album and talk along to the skits between songs. This album laid the groundwork for the greatest hip-hop movement of all time, and in it’s incredibly perfect musical arrangement, it made me come to a whole new appreciation of music.



3. Weezer- Pinkerton



I wrestled with the idea of putting the Blue Album on this list instead of Pinkerton. The thought crossed my mind that I have put Blue Album into my CD player more times than Pinkerton, and that I can sing along to 100% of Blue, while I can only sing about 90% of Pinkerton. But then I thought about something. Rivers Cuomo at one time said he’d never play songs off of this album live because it was so personal to him. Then I thought about the few unfortunate breakups I’ve had to deal with in my life. I didn’t turn to Blue Album at those times, I turned to Pinkerton (and Let it Be, of course). And while it is good that Pinkerton helped me cope with my pubescent loss of girls, it also just rocks. And what makes it rock so hard isn’t distortion or solos, it’s the grit. It’s the emotional attachment to the songs being played. When you listen to Pinkerton you can understand exactly why Rivers was against playing the songs on this album live for so long. I’m one of those people that continues to support Weezer through thick and thin, and this album is one of the reasons why. I know they’ll never make any music on the same level as this, but after giving me Pinkerton and the few other great Weezer albums, I have to respect and support them through high and low. And how many pop rock bands can manage to reference ECW in their tracks, and not only get away with it, but have the song featuring said reference become a CLASSIC. Grunge and New Jack are household names!



2. Mr. Bungle- California



Strange music and I get along very well. But a lot of strange music bothers me. I enjoy listening to it, but there are always qualities that irk me. This album is certainly strange, but absolutely nothing about it irks me. Mike Patton and the Bungle crew have put together the most musically diverse album of undeniably catchy tunes that I have ever heard. There are some albums that never stop getting spun in your car, living room, headphones, and to me this is one of those few albums. Many of the albums on this list get tucked back in the shelf for a few months at a go, but California is one of those albums that constantly perplexes and satisfies me. The music is incredibly performed and written, and the mix is phenomenal. While no one stands out more than Mike Patton, the wide variety of instruments featured covers up any traces of ego that he may have. His vocals mesh perfectly with the music, as he can change his vocal stylings at the drop of a dime, and do it perfectly. What I love about him in Tomahawk is the fact that he can be such a great METAL singer. What I love about Patton in Mr. Bungle, and more specifically this album in general, is that he can be a great singer OVERALL. This is the album that I recommend to any human being. Literally. Anyone. Have you not listened to it? Try it out.



1.Rage Against the Machine- Rage Against the Machine



Is this a surprise number one album? I see no reason as to why that may be the case. This album shaped the way I play both the bass and guitar, and not to mention it acted as a great transition from being a fan of strictly rock and roll, to liking hip-hop as well. It’s perfect in every way. The guitar lines are godly, and the solos are beyond impressive, and the bass is groovy yet still packs a punch harder than many metal bands. And Zack de la Rocha is just incredible on the microphone. While I don’t agree with the politics of the band entirely, I believe that they present their message in a take-no-prisoners method, which has been missing from music since their initial demise. Every song on this album is great in every front. I love this album. I would not be the person that I am had it not been for these 10 songs. And that’s the bottom line.



That's that. What's next? End of the year awards. Hopefully that Hurley/Death To False Metal/Pinkerton Deluxe review I have up my sleeve. Who knows? Me.

Top 25 Albums of All Time Part V: #10-6

And I return! Sorry this took so long, I have a life to live.

10. Smashing Pumpkins- Mellon Collie and the Infinite Sadness



Apparently there was a summer when my family was on vacation and my father played this CD a lot. I have no recollection of that, but perhaps it was that early influence that made the album stand out to me. It’s epic in ever way. Duration, songwriting, arrangements, music videos, presentation, everything about this album is incredibly epic. But while some pieces of music that are as grand as this fail because the quality of the music gets caught up in the concept, Corgan and crew flourish in it. And the best part is that while it does swoon through emotions with string sections and acoustics, it can just as easily turn around and kick your ass with its rock tracks. And while “1979” and “Tonight, Tonight” are mainstream almost to the point of being played out, they still hit exactly at the right spot sonically every time. While Billy Corgan has sort of lost his writing edge in the post-Zwan era Pumpkins, it’s good to know I can always go back to Mellon Collie and enjoy utter brilliance.



9. Devo- Q: Are We Not Men? A: We Are Devo!



There was a time in my musical life when I would listen to and pretend to enjoy everything that was weird or abnormal. Some of the stuff I actually dug, some of it I bumped because it was different and most of the time had some musical merit. For a little while I thought Devo, and specifically their debut, fell in the latter category. I don’t know when it was when this album went to bizarre to great, but it was a pretty quick change. Maybe it’s because Devo combines some elements of progressive rock with the straightforwardness of punk, or maybe it’s because of the bizarre lyrics and themes but I really do love me some Are We Not Men? This is an album that downright turns a lot of people off to the non “Whip It” sound that Devo had before they got popular, but it certainly has made me appreciate them a lot more.



8. Red Hot Chili Peppers- Blood, Sugar, Sex, Magik



While many of the bands that I have already mentioned on this list and will mention as the post goes on are consideremd my favorites, the Chili Peppers really aren’t. Just like every musician (bass players especially) there is that essential period of time when one falls in love with RHCP, and with some they stick, but with me everything following their breakout is just sort of weak. Their work prior was good, but aside from a few tracks on Mother’s Milk, none of it was particularly memorable. And the stuff after BSSM is good, but it lacks the raw power and vigor that BSSM has. But coming back to the point, Chili Peppers made a great album that change the face of popular music. Hair metal dominated the 80’s and grunge and pop punk prevailed over most of the 90’s but the Chili Peppers really made it acceptable to be weird and funky and still be able to make money. They didn’t play to conventions and they clearly loved what they were doing (or the drugs made them love it). BSSM has some classic tracks like “Suck My Kiss” “Under the Bridge” and “Give It Away” but it also has a lot of great groove based songs that go under the radar like “Mellowship Slinky in B Major” and the title track. Every few months I arbitrarily try and tell myself the Chili Peppers are too mainstream ans sellout for my taste, and then I hear a track off this album and just get schooled. They were awesome. They aren’t so much anymore, but this album makes me wanna pick up my bass and just jam.



7. Beastie Boys- Paul’s Boutique



There are some albums that really mark a radical change in the way music is looked at, and in my opinion, if it wasn’t for Paul’s Boutique, acts like Girl Talk and Super Mash Bros. would be without a job. The Beasties created a sonic atmosphere unlike any other following their one note debut, it shows growth on all fronts by the group. Lyrically it’s good, but the Beasties have never been considered top tier lyricists as much as they have been admired for their creativity. I can rap along with them and just have a good time, and they don’t seem to care about not challenging the world, so why should I? And the beats are just so cool, they sample so much stuff, but it’s not like modern mash-up artists where the samples make the art, here they add a foundation to the crazy lyrics crafted by the Boys. If there was an album that brought me from being a casual hip-hop fan to hardcore one, it is this without question.



6. The Beatles- Let It Be



NOT Sgt. Pepper! NOT Abbey Road! NOT Revolver! Number six on my list? Am I crazy? Yes. Let It Be is one of the first 2 CD’s I ever purchased, and for the first few years of having it, I never really listened to it. I skipped to the title track and “Get Back” and turned it off. Then, in my post puberty classic rock phase I dusted off the disc and popped it in, and it fit. It fit every mood. I remember driving around post breakups during high school with this album and feeling like there was hope for me yet (THERE STILL IS DAVE, HANG IN THERE!) and there were times when I just felt like hearing some great tunes and I’d put this on and get that. While every Beatles album has a resounding effect on me, as they should with most listeners, Let It Be is the one the evaded me in my youth, only to come back ten fold when I gave it a second chance. And did I mention “Get Back” is easily in the top five Beatles songs for me? Dare I say it is the best?!



ONE MORE TO GO! WHAT WILL BE ON THE LIST?! WHO KNOWS?! ME!

Top 25 Albums of All Time Part IV: #15-11

Guess whose back? No The Eminem Show won't be on this list...

15. Van Halen- Van Halen



My first concert was A Perfect Circle, but the first concert that I got really excited for was Van Halen. I remember having very little experience with the band, aside from what friends had played me, but thanks to a hookup from my father, I got really good floor seat tickets and my dad paid for half of them. With all of that being said, my preparation for the concert was the bands self titled debut and jeez did it prepare me well. I remember driving to the concert in my dad’s truck with the album blasting, and my dad just saying how it never stopped being loud and over the top. And that’s why it’s great. When it does cease on my favorite track “Ice Cream Man” it does so only to build it’s explosion that much more (my dad liked the song up until said explosion). The guitar work is obviously incredible, Lee Roth brings the frontman thing to new levels and Anthony and Alex Van Halen provide for a great backing section. A great pop rock album, regardless of what metalheads may say, it is pop through and through and I love it.



14. System of a Down- Hypnotize



Another album that came along at a great time for me. It was senior year, I was leaving on a plane for California in mere hours and I ran to Target to pick this up, import it onto my iPod and get it loaded and charged for the plane ride ahead. Now the first listen of this noisy chaotic mess of an album I was disappointed. I had listened to it’s prequel Mesmerize a hundred times and had fallen in love with it, but Hypnotize was almost too much. However, after listening to it several times, and having years and years of musical knowledge behind my back now (not to be a braggart, I just know a lot more about music now than I did then), I learned that the collective oddness of Hypnotize is truly the best effort that System of a Down brought to this day. They took a huge risk on a major label album and made a fantastically quirky metal album that does not translate easily to the masses, it’s pure genius in my mind. And while there are a handful of songs I downright dislike, as well as Serj Tankian’s over the top lyrics, I love this album as a whole. No doubt.



13. Queens of the Stone Age- Songs For The Deaf



I think second to Ocean Avenue, this was an album that I caught a lot of flack for listening to in high school, but unlike Ocean Avenue, most of the haters have grown into liking Josh Homme’s heroine induced desert rock wet dream. I got this album after hearing “No One Knows” on MTV2 back in the day and I instantly loved the way the rest of the album diverts from that sound, pretty much every track sounds at least a little bit different from the rest. And compared to much of music (and more than a few albums on this list) that’s a really good thing. Not to mention Dave Grohl behind the kit on this album is just an adrenaline burner, as he brings it hardcore. And this is the last album the Nick Oliveri played on before being kicked out of the band, so it really has a lot to say. To me personally it was the album that made me divert from the norm of the pop punk I’d been listening to almost exclusively up until that point.



12. The Jimi Hendrix Experience- Electric Ladyland



Why Ladyland over Are You Experienced? or even Axis? Simple. Because Ladyland is a mix of both of those two albums. To me Are You Experienced? will always be the Hendrix album that is beaten into every young guitarists head, as well as every classic rock radio station. It has more or less 90% of Jimi’s hits. Axis is a great album in its own right, but it just doesn’t have that zing factor, but Ladyland...it’s perfect. There are some really popular songs in “Voodoo Child (Slight Return)” and “All Along The Watchtower” on top of some great jams you’ll never hear on the radio. Jimi brought me into loving the guitar as an instrument, as I’m sure he’s done with countless players, and this album is just a wonderful showing of how great he can play without having that sellout factor that I feel like Are You Experienced? had.



11. Public Enemy- It Takes A Nation of Millions to Hold Us Back



I was a senior in high school when I bought this album and everyone thought it was sort of a joke. Flavor Flav was at the peak of his fame on VH1 and the only hip-hop I had been listening to was the Beastie Boys. I remember playing this album and just being wowed by Chuck D’s presence. Flav does bring the charisma to the group, but Chuck’s words are tremendously impactful that they made, and to this day still make me feel like I am a black American suffering through the same things that Public Enemy is. Fast forward a few years later to a time when I had sort of put this album and PE on the back burner, and my at the time boss brought them up in conversation, saying “Have you heard ‘Black Steel in the Hour of Chaos’?” And it had been so long I said “I don’t think so,” and when he put that song on it hooked me right back in. Chuck D is my number 2 favorite rapper of all time, and Public Enemy as a whole is my number 3 favorite rap group of all time. And they make you party for your right to fight in a time when people were just fighting for their right to party.



Two more installments and this will all be done!

Top 25 Albums of All Time Part III: #20-16

And here continues the list...

20. Oysterhead- The Grand Pecking Order



There was a phase in my late-high school early-college musical fandom that I basically bought every CD by my favorite musicians if they were at a decent price. Upon finding Oysterhead’s The Grand Pecking Order used at FYE one day I bought it without question because I knew Primus frontman Les Claypool was in the group. What I didn’t realize was that Phish frontman/god to modern hippies Trey Anastasio was the guitarist and Police drummer Stewart Copeland was behind the skins. Three men that drive their respective bands coming together to form some sort of musical orgy of jam band, metal and 80’s pop rock. The end result is divine. Trey’s free flowing playing alongside Copeland’s offbeat drum hits and Claypool’s over the top bass playing make one of the most surprisingly amazing combinations in my mind. Claypool has a dozen side projects with a dozen great musicians (Buckethead, Bernie Worrell, Warren Haynes and Tom Waits to name a few) but this one stands out as him stepping out of the spotlight to let the talent of the other 2 players take the lead just as frequently as him. And the best part is that the album doesn’t sound like Primus, Phish or The Police, it sounds completely unique and it is highly unlikely we’ll ever see anything from this group again.



19. Tomahawk-Tomahawk



Copy and paste the first sentence from the last issue but replace Les Claypool with Mike Patton and you have the story of me discovering Tomahawk. Mix the Mr. Bungle/Faith No More frontman with the guitar player from The Jesus Lizard, the drummer from Helmet and the bassist from The Melvins and you have this godly metal beast. Their 2001 debut is easily the best album of their trilogy, and it’s tense moodiness really sets up for the nasty breakdowns and scream filled choruses that populate most of the album. Jesus Lizard alum Duane Denison brings his slithery playing to a much heavier zone and the bass/drums compliment it perfectly, giving Patton uniquely insane music to sing/scream/growl over. I’m not a metal expert, in fact I consider myself a novice at best, but I can’t deny this album a spot on this list, as it’s one of those albums that makes any mundane moment that much more exciting.



18. Incubus- S.C.I.E.N.C.E



Funk, at the end of the day, is my favorite kind of music. And early Incubus certainly has its share of funk in it. I came into Incubus the wrong way, starting with the mellow MTV friendly Morning View, going a step back chronologically to the brilliantly commercial Make Yourself and then finally arriving on the schizophrenic, genre jumping S.C.I.E.N.C.E. This album, to me, is Incubus at their best. The grooves between Guitarist Mike Enziger, drummer Jose Pasillas and god of bass Dirk Lance, are so incredibly tight yet retain the grooviness of so many improv-heavy grooves. Add to that the slick turntabling and beautifully chaotic voice of the then dreaded Brandon Boyd and you have one of the coolest albums I’ve ever heard in my life. While I may not bump it so much these days, as a player and a listener, this album deserves all the respect I have to give.



17. The Roots-Game Theory



Prior to this album, my main Roots experience was their 1995 jazz heavy album Do You Want More?!!??! and while I respected that album for what it did musically, I never really loved it. Game Theory however, changed the way I thought about the group for the better. The music is dark, when it’s positive it still feels like something bad can happen, and the raps are honestly some of the best I’ve ever heard. This album made me respect Questlove as more than just a drummer, and it made me realize that Blackthought is my favorite rapper in the game today. While Def Jam didn’t do a great job making this album the commercial success it could’ve been, I kind of appreciate the fact that it’s a tad more cult-ish than the rest of their work.



16. Biffy Clyro- Only Revolutions



The most recent album on the list, and the one I had the hardest time justifying putting on here. While I listened to this albums predecessor Puzzle more than Only Revolutions, something about this album stands out. I listened to it twice upon downloading it and thought it wasn’t as good as Puzzle, but then at the beginning of the summer I started listening to it. Every day. No album has made me put it on every single day since middle school, yet the great songs on this album kept calling me back over and over and even though it’s still freshly classic in my mind there is no doubt that it will stay that way. While it is sort of generic in a sense that it doesn’t change the way rock and roll is looked at, it’s epic. The arrangements, the lyrical content, the energy, and the fact that it’s three guys making the music, really makes this band, and this album, great.



Stay tuned for more!